LEADER 05406oam 2200757I 450 001 9910972972503321 005 20251116211220.0 010 $a9781136157820 010 $a1136157824 010 $a9780203078921 010 $a0203078926 024 7 $a10.4324/9780203078921 035 $a(CKB)3710000000115703 035 $a(EBL)3061324 035 $a(SSID)ssj0001257571 035 $a(PQKBManifestationID)11745062 035 $a(PQKBTitleCode)TC0001257571 035 $a(PQKBWorkID)11275422 035 $a(PQKB)10145125 035 $a(OCoLC)882261471 035 $a(Au-PeEL)EBL3061324 035 $a(CaPaEBR)ebr10872869 035 $a(CaONFJC)MIL761596 035 $a(OCoLC)889813276 035 $a(MiAaPQ)EBC3061324 035 $a(BIP)63434108 035 $a(BIP)116718791 035 $a(EXLCZ)993710000000115703 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusical performance and the changing city $epost-industrial contexts in Europe and the United States /$fedited by Fabian Holt and Carsten Wergin 205 $a1st ed. 210 1$aNew York ;$aLondon :$cRoutledge,$d2013. 215 $a1 online resource (324 p.) 225 1 $aRoutledge Research in Music ;$v4 300 $aDescription based upon print version of record. 311 08$a9781032922621 311 08$a1032922621 311 08$a9780415644860 311 08$a0415644860 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a""Front Cover""; ""Musical Performance and the Changing City""; ""Copyright Page""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Introduction: Musical Performance and the Changing City""; ""Part I: Placemaking""; ""1. a???From the Big Dig to the Big Giga???: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008""; ""2. Sounding Austin: Live Music, Race, and the Selling of a City""; ""3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience"" 327 $a""4. Destination a???Three Days Awakea???: Cultural Urbanism at a Popular Music Festival Outside the City""""Part II: Scenes and Venues""; ""5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City""; ""6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York""; ""7. Collectivities and Mixed-Mediations in Amsterdama???s Translocal Jazz Scene""; ""8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry""; ""Part III: Nightlife""; ""9. Crowd Solidarity on the Dance Floor in Paris and Berlin"" 327 $a""10. The Sound Culture of Dubstep in London""""11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic Moment""; ""Contributors""; ""Index"" 330 $aA contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life. It takes musical performance as its key focus, exploring how and why different kinds of performance are evolving in contemporary cities in the interaction among social groups, commercial entrepreneurs, and institutions. From conventional concerts in rock clubs to new genres such as the flash mob, the forms and meanings of musical performance are deeply affected by urban social change and at the same time respond to the changing conditions. Music has taken on complex roles in the post-industrial city where culture and cultural consumption have an unprecedented power in defining publics, policies, and marketing strategies. Further, changes in real estate markets and the penetration of new media have challenged even fairly modern music cultures. At the same time, new music cultures have emerged, and music has become a driver for cultural events and festivals, channeling the dynamics of a society characterized by the social change, media intensity, and the neoliberal forces of post-industrial urban contexts. The volume brings together scholars from a broad range of disciplines to build a shared understanding of post-industrial contexts in Europe and the United States. Most directly grounded in contemporary developments in music studies and urban studies, its broad interdisciplinary range serves to strengthen the relevance of urban music studies to fields such as anthropology, sociology, urban geography, and beyond. Offering in-depth studies of changing music culture in concert venues, cultural events, and neighborhoods, contributors visit diverse locations such as Barcelona, Berlin, London, New York, and Austin. 410 0$aRoutledge research in music ;$v4. 606 $aPopular music$xSocial aspects$zEurope 606 $aPopular music$xSocial aspects$zUnited States 606 $aPopular music$xHistory and criticism 615 0$aPopular music$xSocial aspects 615 0$aPopular music$xSocial aspects 615 0$aPopular music$xHistory and criticism. 676 $a306.4/8424 701 $aHolt$b Fabian$01802261 701 $aWergin$b Carsten$01802262 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910972972503321 996 $aMusical performance and the changing city$94347836 997 $aUNINA