LEADER 00814nam0-22002651i-450- 001 990004129760403321 005 20080213152044.0 035 $a000412976 035 $aFED01000412976 035 $a(Aleph)000412976FED01 035 $a000412976 100 $a19990604d1962----km-y0itay50------ba 101 0 $afre 105 $ay-------00-y- 200 1 $a<>idèes maîtresses de la mètaphysique chrétienne$eEsquisse$fClaude Tresmontant 210 $aParis$cEditions du Seuil$dc1962 215 $a160 p.$d20 cm 700 1$aTresmontant,$bClaude$f<1925-1997>$0158991 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004129760403321 952 $aP.1 FRM 140$bIST.PED.1466$fFLFBC 959 $aFLFBC 996 $aIdèes maîtresses de la mètaphysique chrétienne$9476292 997 $aUNINA LEADER 03248nam 22008653u 450 001 9910972523403321 005 20251116233104.0 010 $a0-203-35119-3 010 $a1-299-28675-5 010 $a1-135-12825-1 035 $a(CKB)2560000000099770 035 $a(EBL)1144688 035 $a(OCoLC)831119246 035 $a(SSID)ssj0000834924 035 $a(PQKBManifestationID)11474264 035 $a(PQKBTitleCode)TC0000834924 035 $a(PQKBWorkID)10982430 035 $a(PQKB)11274449 035 $a(MiAaPQ)EBC1144688 035 $a(OCoLC)830324416 035 $a(FINmELB)ELB134297 035 $a(EXLCZ)992560000000099770 100 $a20131216d2013|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Athenian Woman $eAn Iconographic Handbook 205 $a1st ed. 210 $aHoboken $cTaylor and Francis$d2013 210 1$aLondon ;$aNew York :$cRoutledge,$d2002. 215 $a1 online resource (277 p.) 300 $aDescription based upon print version of record. 311 08$a0-415-23234-1 320 $aIncludes bibliographical references (pages 247-257) and index. 327 $aCover; Title; Copyright Page; Contents; List of illustrations; Acknowledgements; Introduction; 1 Becoming visible; 2 Domestic labour; 3 Working women; 4 The women's room; 5 Women and men; Conclusion; Glossary; Abbreviations; Notes; Bibliography; Index 330 $aHere Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting.Ceramics are an unparalleled resource for women's lives in ancient Greece, since they show a huge number of female types and activities. Yet it can be difficult to interpret the meanings of these images, especially when they seem to conflict with literary sources.This much-needed study shows that it is vital to see the vases as archaeology as well as art, since context is the ke 606 $aAthens 606 $aGreece 606 $aHistory 606 $aVase painting, Greek 606 $aVases, Greek 606 $aWomen 606 $aWomen in art 606 $aWomen$xHistory$yTo 500$zGreece$vSources 606 $aWomen$xHistory$vSources 606 $aWomen in art$xThemes, motives 606 $aPottery, Greek 606 $aGender & Ethnic Studies$2HILCC 606 $aSocial Sciences$2HILCC 606 $aGender Studies & Sexuality$2HILCC 615 4$aAthens. 615 4$aGreece. 615 4$aHistory. 615 4$aVase painting, Greek. 615 4$aVases, Greek. 615 4$aWomen. 615 4$aWomen in art. 615 0$aWomen$xHistory 615 0$aWomen$xHistory 615 0$aWomen in art$xThemes, motives. 615 0$aPottery, Greek. 615 7$aGender & Ethnic Studies 615 7$aSocial Sciences 615 7$aGender Studies & Sexuality 676 $a305.40938 700 $aLewis$b Sian$0486387 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910972523403321 996 $aThe Athenian Woman$94451394 997 $aUNINA