LEADER 04506nam 2200841Ia 450 001 9910971940703321 005 20251213110051.0 010 $a9786612901911 010 $a9781282901919 010 $a1282901915 010 $a9780226305233 010 $a0226305236 024 7 $a10.7208/9780226305233 035 $a(CKB)2670000000059923 035 $a(EBL)616038 035 $a(OCoLC)690177939 035 $a(SSID)ssj0000426142 035 $a(PQKBManifestationID)12123791 035 $a(PQKBTitleCode)TC0000426142 035 $a(PQKBWorkID)10372727 035 $a(PQKB)10822509 035 $a(MiAaPQ)EBC616038 035 $a(DE-B1597)524448 035 $a(OCoLC)1135605288 035 $a(DE-B1597)9780226305233 035 $a(Au-PeEL)EBL616038 035 $a(CaPaEBR)ebr10431312 035 $a(CaONFJC)MIL290191 035 $a(Perlego)1852816 035 $a(ODN)ODN0000505488 035 $a(EXLCZ)992670000000059923 100 $a20100211d2010 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProducing local color $eart networks in ethnic Chicago /$fDiane Grams 205 $a1st ed. 210 $aChicago ;$aLondon $cUniversity of Chicago Press$d2010 215 $a1 online resource (xv, 281 pages, 20 unnumbered pages of plates) $cillustrations (chiefly color) 300 $aDescription based upon print version of record. 311 0 $a9780226305172 311 0 $a0226305171 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Figures and Tables --$tPreface --$tIntroduction --$tONE. Theory of Local Art Production Networks --$tTWO. Local Places --$tTHREE. Community-Based Art and Ideologies of Local Participation --$tFOUR. Aesthetic Networks and Cultural Capital --$tFIVE. Autonomy Networks and Artistic Control --$tSIX. Problem-Solving Networks and Social Stability --$tSEVEN. Gentrification Networks and the Whitewashing of Culture --$tEIGHT. Empowerment Networks and the Restoration of Local Culture --$tNINE. Post-Urban Culture? --$tInterviews --$tNotes --$tReferences --$tIndex 330 $aIn big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals-from cutting-edge artists to collectors to municipal planners-who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow. 606 $aArt and society$zIllinois$zChicago 606 $aArtists$xSocial networks$zIllinois$zChicago 606 $aArtists$zIllinois$zChicago$xSocial conditions 606 $aEthnic art$zIllinois$zChicago 606 $aMarginality, Social$zIllinois$zChicago 606 $aSociology, Urban$zIllinois$zChicago 606 $aSocial sciences$xNetwork analysis 607 $aPilsen (Chicago, Ill.)$xSocial life and customs 607 $aBronzeville (Chicago, Ill.)$xSocial life and customs 607 $aRogers Park (Chicago, Ill.)$xSocial life and customs 615 0$aArt and society 615 0$aArtists$xSocial networks 615 0$aArtists$xSocial conditions. 615 0$aEthnic art 615 0$aMarginality, Social 615 0$aSociology, Urban 615 0$aSocial sciences$xNetwork analysis. 676 $a306.4/70977311 700 $aGrams$b Diane$f1957-$01805152 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971940703321 996 $aProducing local color$94353587 997 $aUNINA