LEADER 04058nam 22006371 450 001 9910971832903321 005 20260115174140.0 010 $a9780231850162 010 $a0231850166 035 $a(CKB)2670000000431040 035 $a(EBL)909581 035 $a(OCoLC)859182684 035 $a(SSID)ssj0001001261 035 $a(PQKBManifestationID)11540204 035 $a(PQKBTitleCode)TC0001001261 035 $a(PQKBWorkID)10962448 035 $a(PQKB)11615981 035 $a(Au-PeEL)EBL909581 035 $a(CaPaEBR)ebr10774446 035 $a(CaONFJC)MIL562258 035 $a(Perlego)774844 035 $a(MiAaPQ)EBC909581 035 $a(EXLCZ)992670000000431040 100 $a20120918d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe cinema of me $ethe self and subjectivity in first person documentary /$fedited by Alisa Lebow 210 1$aLondon ;$aNew York :$cWallflower Press,$d2012. 215 $a1 online resource (289 p.) 225 1 $aNonfictions series 300 $aDescription based upon print version of record. 311 08$a9780231162159 311 08$a0231162154 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography (pages 268-270). 327 $tFirst person singular.$gThe$trole of history in the individual : working notes for a film /$rMichael Chanan --$gThe$tcurious incident of the dog in the nighttime /$rAndrs? Di Tella --$tImpersonations of Glauber Rocha by Glauber Rocha /$rJos ?Gatti --$gThe$tself-portrait film : Michelangelo's last gaze /$rLaura Rascaroli --$tCycles of life : El cielo gira and Spanish autobiographical documentary /$rEfrn? Cuevas --$tFrom the interior : space, time and queer discursivity in Kamal Aljafari's The roof /$rPeter Limbrick --$tFirst person plural.$tJennifer Fox's transcultural talking cure : Flying : confessions of a free woman /$rAngelica Fenner --$tSecrets and inner voices : the self and subjectivity in contemporary Indian documentary /$rSabeena Gadihoke --$tIn the eye of the storm : the political stake of Israeli i-movies /$rLinda Dittmar --$tDiasporic subjectivity.$tLooking for home in home movies : the home mode in Caribbean diaspora first person film and video practice /$rElspeth kydd --$t'If I am (not) for myself' : Michelle Citron's diasporic first person(s) /$rSophie Mayer --$gThe$tcamera as peripatetic migration machine /$rAlisa Lebow --$tVirtual subjectivity.$tBlogging identity.com /$rPeter Hughes --$gThe$tme and the we : a first person meditation on media translation in three acts /$rAlexandra Juhasz. 330 $aWhen a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker – thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of ‘me' into the cinema of ‘we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts. 410 0$aNonfictions. 606 $aDocumentary films$xAuthorship 606 $aDocumentary films$xHistory and criticism 606 $aSubjectivity in motion pictures 615 0$aDocumentary films$xAuthorship. 615 0$aDocumentary films$xHistory and criticism. 615 0$aSubjectivity in motion pictures. 676 $a070.18092 701 $aLebow$b Alisa$01887670 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971832903321 996 $aThe cinema of me$94525182 997 $aUNINA