LEADER 01059nam--2200373---450- 001 990002814260203316 005 20060918104744.0 010 $a0-470-84850-2 035 $a000281426 035 $aUSA01000281426 035 $a(ALEPH)000281426USA01 035 $a000281426 100 $a20060918d2006----km-y0itay50------ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aNondestructive testing of deep foundations$eanother decade of technical advances$fBernard H.Hertlein$gAllen G.Davis 210 $aHoboken(New Jersey)$cWiley$d2006 215 $a290 p.$d23 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aFondazioni$xProve 676 $a624.15 700 1$aHERTLEIN,$bBernhardt H.$0594765 702 1$aDAVIS,$bAllen G. 801 0$aIT$bsalbc$gISBD 912 $a990002814260203316 951 $aS/D 707$b2325 DIC 959 $aBK 969 $aDIC 979 $aDIC$b10$c20060918$lUSA01$h1047 996 $aNondestructive testing of deep foundations$9994515 997 $aUNISA LEADER 03485nam 22007333u 450 001 9910971800503321 005 20240516120023.0 010 $a979-82-16-29368-2 010 $a979-88-8183-927-7 010 $a1-280-66992-6 010 $a9786613646859 010 $a0-8108-7673-6 024 7 $a10.5040/9798881839277 035 $a(CKB)2550000000084376 035 $a(EBL)860123 035 $a(OCoLC)775873170 035 $a(SSID)ssj0000614640 035 $a(PQKBManifestationID)11348067 035 $a(PQKBTitleCode)TC0000614640 035 $a(PQKBWorkID)10605168 035 $a(PQKB)11705730 035 $a(UkLoBP)BP9798881839277BM&S 035 $a(MiAaPQ)EBC860123 035 $a(EXLCZ)992550000000084376 100 $a20131216d2011|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhat Makes Music European $eLooking beyond Sound 205 $a1st ed. 210 1$aLanham, Maryland :$cScarecrow Press,$d2011. 210 2$aNew York :$cBloomsbury Publishing (US),$d2025. 215 $a1 online resource (333 p.) 225 1 $aEuropea: Ethnomusicologies and Modernities 300 $aDescription based upon print version of record. 311 08$a0-8108-7671-X 327 $aContents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing 327 $a11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author 330 $aIn What Makes Music European, Marcello Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music app 410 0$aEuropea: Ethnomusicologies and Modernities. 606 $aMusic$xHistory and criticism 606 $aMusic$xPhilosophy and aesthetics 606 $aMusic$xSocial aspects 606 $aFolk & traditional music$2bicssc 606 $aMusic reviews & criticism$2bicssc 606 $aTheory of music & musicology$2bicssc 615 0$aMusic$xHistory and criticism 615 0$aMusic$xPhilosophy and aesthetics 615 0$aMusic$xSocial aspects 615 7$aFolk & traditional music 615 7$aMusic reviews & criticism 615 7$aTheory of music & musicology 676 $a780.94 676 $a781.620094 686 $a9,2$2ssgn 700 $aSorce Keller$b Marcello$0446971 801 0$bUkLoBP 801 1$bUkLoBP 906 $aBOOK 912 $a9910971800503321 996 $aWhat Makes Music European$94433148 997 $aUNINA