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200 00$aSpanish theatre 1920-1995 $estrategies in protest and imagination /$f[issue editor: Maria M. Delgado]
205   $a1st ed.
210   $aAmsterdam, Netherlands $cHarwood Academic Publishers$d1998
215   $a1 online resource (104 p.)
225 1 $aContemporary theatre review ;$vv. 7, pt. 2
300   $aCover title.
311 08$a1-138-47325-1 
311 08$a90-5702-099-8 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Contents; Acknowledgements; Editorial; 'The Impossible Theatre': The Spanish Stage at the Time of the Avant-Garde; Attempts; Towards an Art Theatre; Towards a National Theatre; Experimental Theatre and University Theatre; Models; The Anti-Realist Polemic and The Reassertion of a Plastic Theatre; The Cinematic Model; Puppet Epics; The Poetic and The Popular; The Theatre as Poetry Incarnate; Conclusion; Valle-Incla?n, Spanish Precursor of the Absurdist Mode; Drama, Religion and Republicanism: Theatrical Propaganda in the Spanish Civil War; Beyond Lorca; References
327   $aNotes on Contributors Contemporary Theatre Review; Index
330   $aBeginning with a reassessment of the 1920's and 30's, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
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