LEADER 01300nam 2200349Ia 450 001 996396298103316 005 20221108055911.0 035 $a(CKB)4330000000348071 035 $a(EEBO)2248513379 035 $a(OCoLC)09649598 035 $a(EXLCZ)994330000000348071 100 $a19830627d1698 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA sermon preach'd to the Societies for Reformation of Manners in the cities of London and Westminster at Salters-Hall, Aug 15, 1698$b[electronic resource] $epreached and published at the desire of the said Societies /$fby Vincent Alsop 210 $aLondon $cPrinted by John Lawrence$d1698 215 $a[8], 53, [1] p 300 $aReproduction of original in the Harvard University Library. 330 $aeebo-0062 606 $aSermons, English$y17th century 607 $aGreat Britain$xMoral conditions$vSermons 615 0$aSermons, English 700 $aAlsop$b Vincent$f1629 or 30-1703.$0792737 801 0$bUMI 801 1$bUMI 801 2$bm/c 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996396298103316 996 $aA sermon preach'd to the Societies for Reformation of Manners in the cities of London and Westminster at Salters-Hall, Aug 15, 1698$92398179 997 $aUNISA LEADER 02726nam 2200613Ia 450 001 9910971752703321 005 20200520144314.0 010 $a9781587298912 010 $a1587298910 035 $a(CKB)2560000000007993 035 $a(EBL)843256 035 $a(OCoLC)503172995 035 $a(SSID)ssj0000340530 035 $a(PQKBManifestationID)11294077 035 $a(PQKBTitleCode)TC0000340530 035 $a(PQKBWorkID)10388322 035 $a(PQKB)11348367 035 $a(MiAaPQ)EBC843256 035 $a(MdBmJHUP)muse8983 035 $a(Au-PeEL)EBL843256 035 $a(CaPaEBR)ebr10343457 035 $a(Perlego)2957015 035 $a(EXLCZ)992560000000007993 100 $a20090220d2009 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMoliere, the French revolution, and the theatrical afterlife /$fby Mechele Leon 205 $a1st ed. 210 $aIowa City $cUniversity of Iowa Press$d2009 215 $a1 online resource (198 p.) 225 1 $aStudies in theatre history and culture 300 $aDescription based upon print version of record. 311 08$a9781587298219 311 08$a158729821X 320 $aIncludes bibliographical references. 327 $aRepertory: the popularity of Moliere's plays -- Performance: the "high/low" Moliere -- History: rewriting the story of Moliere & Louis XIV -- Function: retooling Molierean laughter -- Life: depicting Moliere in biographical drama -- Death: remembering Moliere -- Epilogue: the future of an afterlife. 330 $aFrom 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molie?re's works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molie?re, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of hon 410 0$aStudies in theatre history and culture. 606 $aFrench literature$y17th century$xHistory and criticism 615 0$aFrench literature$xHistory and criticism. 676 $a842.4 676 $a842/.4 676 $a842.4 700 $aLeon$b Mechele$f1958-$01811063 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971752703321 996 $aMoliere, the French revolution, and the theatrical afterlife$94362693 997 $aUNINA