LEADER 03531nam 2200661Ia 450 001 9910971691303321 005 20200520144314.0 010 $a9780791484609 010 $a0791484602 010 $a9781423739616 010 $a1423739612 035 $a(CKB)1000000000458386 035 $a(OCoLC)62751430 035 $a(CaPaEBR)ebrary10594858 035 $a(SSID)ssj0000230741 035 $a(PQKBManifestationID)11187372 035 $a(PQKBTitleCode)TC0000230741 035 $a(PQKBWorkID)10197289 035 $a(PQKB)11578104 035 $a(MiAaPQ)EBC3408530 035 $a(OCoLC)62348661 035 $a(MdBmJHUP)muse6186 035 $a(Au-PeEL)EBL3408530 035 $a(CaPaEBR)ebr10594858 035 $a(DE-B1597)684579 035 $a(DE-B1597)9780791484609 035 $a(Perlego)2672243 035 $a(EXLCZ)991000000000458386 100 $a20030912d2004 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPunk productions $eunfinished business /$fStacy Thompson 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2004 215 $a1 online resource (228 p.) 225 0$aSUNY series, interruptions--border testimony(ies) and critical discourse/s 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780791461877 311 08$a0791461874 320 $aIncludes bibliographical references (p. 193-201) and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tAbbreviations and Acronyms -- $tYou Are Not What You Own -- $tLet's Make a Scene -- $tPunk Aesthetics and the Poverty of the Commodity -- $tPunk Economics and the Shame of Exchangeability -- $tMarket Failure: Punk Economics, Early and Late -- $tScreening Punk -- $tBeyond Punk -- $tNotes -- $tReferences -- $tIndex 330 $aStacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a materialist theory of punk economics situated within the broader fields of the music industry, the commodity form, and contemporary capitalism. While punk's ultimate goal of abolishing capitalism has not been met, the punk enterprise that stands opposed to the music industry is still flourishing. Punks continue to create aesthetics that cannot be readily commodified or rendered profitable by major record labels, and punks remain committed to transforming consumers into producers, in opposition to the global economy's increasingly rapid shift toward oligopoly and monopoly. 606 $aPunk culture 606 $aPunk rock music 615 0$aPunk culture. 615 0$aPunk rock music. 676 $a306/.1 700 $aThompson$b Stacy$01811380 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971691303321 996 $aPunk productions$94363218 997 $aUNINA