LEADER 03358nam 2200697 a 450 001 9910971185703321 005 20240516121725.0 010 $a9781283864589 010 $a1283864584 010 $a9780813552323 010 $a081355232X 024 7 $a10.36019/9780813552323 035 $a(CKB)2670000000155076 035 $a(EBL)862757 035 $a(OCoLC)778339942 035 $a(SSID)ssj0000614222 035 $a(PQKBManifestationID)11363244 035 $a(PQKBTitleCode)TC0000614222 035 $a(PQKBWorkID)10588421 035 $a(PQKB)11586850 035 $a(MdBmJHUP)muse19688 035 $a(DE-B1597)526183 035 $a(OCoLC)1040058489 035 $a(DE-B1597)9780813552323 035 $a(Au-PeEL)EBL862757 035 $a(CaPaEBR)ebr10537896 035 $a(CaONFJC)MIL417708 035 $a(MiAaPQ)EBC862757 035 $a(Perlego)4624520 035 $a(EXLCZ)992670000000155076 100 $a20120320d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aCrafting truth $edocumentary form and meaning /$fLouise Spence and Vinicius Navarro 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$d2011 215 $a1 online resource (294 p.) 300 $aDescription based upon print version of record. 311 08$a9780813549026 311 08$a0813549027 320 $aIncludes bibliographical references and index. 327 $apt. 1. General concepts -- pt. 2. Structural organization -- pt. 3. Formal techniques. 330 $aDocumentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success. Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a nanve concept of "truth" and "reality"-for them, documentaries are information sources. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of truth and reality? What aesthetic means are used to build these illusions? A documentary's sounds and images are always the product of selection and choice, and often underscore points the filmmaker wishes to make. Crafting Truth illuminates the ways these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction film. 606 $aDocumentary films$xHistory and criticism 606 $aDocumentary films$xProduction and direction 615 0$aDocumentary films$xHistory and criticism. 615 0$aDocumentary films$xProduction and direction. 676 $a070.1/8 676 $a070.18 700 $aSpence$b Louise$01804813 701 $aNavarro$b Vinicius$01804814 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971185703321 996 $aCrafting truth$94353044 997 $aUNINA