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100   $a20020117d2002      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aVolker Schlondorff's cinema $eadaptation, politics, and the "movie-appropriate" /$fHans-Bernhard Moeller and George Lellis
205   $a1st ed.
210   $aCarbondale $cSouthern Illinois University Press$dc2002
215   $a1 online resource (384 p.)
300   $aDescription based upon print version of record.
311 08$a0-8093-2451-2 
320   $aIncludes bibliographical references (p. 340-356) and index.
327   $aCover; Book Title; Copyright; Contents; Illustrations; Acknowledgments; 1. Introduction: The Historical Importance of Schlo?ndo; 2. Schlo?ndorff and His Sources; Part One: The Early Schlondorff: Suppression, Pop, and Protest; 3. Young To?rless; 4. A Degree of Murder and "An Uneasy Moment"; 5. Michael Kohlhaas; Part Two: Brechtian and Profeminist Schlondorff; 6. "Amphibious" Movies and Formal Experiments; 7. Baal; 8. The Sudden Wealth of the Poor People of Kombach; 9. The Morals of Ruth Halbfass and Overnight Stay in Tyrol; 10. A Free Woman; 11. Georgina's Reasons
327   $a12. The Lost Honor of Katharina Blum13. Coup de Gra?ce; Part Three: The International Schlondorff; 14. A GermanConsciousness for an International Audience; 15. The Tin Drum; 16. Just for Fun, Just for Play-Kaleidoscope Valeska Gert, The Candidate, and War and Peace; 17. Circle of Deceit; 18. Swann in Love; Part Four: The American Schlondorff; 19. A German Filmmaker in the United States; 20. Death of a Salesman; 21. A Gathering of Old Men; 22. The Handmaid's Tale; Part Five: The Post-Wall Schlondorff; 23. A Filmmaker for the European Community; 24. Voyager; 25. The Ogre
327   $a26. Billy, How Did You Do It? and Palmetto27. The Legend of Rita and "The Perfect Soldier"; 28. Conclusion; Filmography; Appendix: U.S. Film, DVD, and Video Sources; Notes; Works Cited and Consulted; Index; Author Biographies; Back Cover
330   $aVolker Schlo?ndorff's Cinema: Adaptation, Politics and the "Movie-Appropriate" examines the work of major postwar German director Volker Schlo?ndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formal ambitiousness of Schlo?ndorff that is comparable to that found in Wenders, Herzog, and Fassbinder. In spite of Schlo?ndorff's successes with films like The Lost Honor of Katharina Blum and The
606   $aMotion picture producers and directors$zGermany$vBiography
615  0$aMotion picture producers and directors
676   $a791.43/0233/092
676   $a791.430233092
700   $aMoeller$b Hans-Bernhard$01891196
701   $aLellis$b George$01891197
801  0$bMiAaPQ
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906   $aBOOK
912   $a9910971179303321
996   $aVolker Schlondorff's cinema$94534002
997   $aUNINA