LEADER 04776nam 2200937 450 001 9910821984403321 005 20230126213641.0 010 $a0-520-96213-3 024 7 $a10.1525/9780520962132 035 $a(CKB)3710000000513399 035 $a(EBL)4068963 035 $a(SSID)ssj0001570088 035 $a(PQKBManifestationID)16217613 035 $a(PQKBTitleCode)TC0001570088 035 $a(PQKBWorkID)13782386 035 $a(PQKB)11563780 035 $a(StDuBDS)EDZ0001535324 035 $a(MiAaPQ)EBC4068963 035 $a(OCoLC)928892298 035 $a(MdBmJHUP)muse47152 035 $a(DE-B1597)521125 035 $a(DE-B1597)9780520962132 035 $a(Au-PeEL)EBL4068963 035 $a(CaPaEBR)ebr11153294 035 $a(EXLCZ)993710000000513399 100 $a20160216h20152015 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aDangerous digestion $ethe politics of American dietary advice /$fE. Melanie DuPuis 210 1$aOakland, California :$cUniversity of California Press,$d2015. 210 4$dİ2015 215 $a1 online resource (231 p.) 225 1 $aCalifornia Studies in Food and Culture ;$v58 300 $aDescription based upon print version of record. 311 0 $a0-520-28748-7 311 0 $a0-520-27547-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPREFACE --$tACKNOWLEDGMENTS --$tIntroduction --$t1. Free and Orderly Bodies --$t2. Diet and the Romance of Reform --$t3. Gut Wars: GILDED AGE STRUGGLES AGAINST PURITY --$t4. Pure Food and the Progressive Body --$t5. Good Food, Bad Romance --$t6. The Trouble with Purity --$t7. Ferment: AN ECOLOGY OF THE BODY --$t8. Toward a Fermentive Politics --$tNOTES --$tBIBLIOGRAPHY --$tINDEX --$tCALIFORNIA STUDIES IN FOOD AND CULTURE 330 $aThroughout American history, ingestion (eating) has functioned as a metaphor for interpreting and imagining this society and its political systems. Discussions of American freedom itself are pervaded with ingestive metaphors of choice (what to put in) and control (what to keep out). From the country's founders to the abolitionists to the social activists of today, those seeking to form and reform American society have cast their social-change goals in ingestive terms of choice and control. But they have realized their metaphors in concrete terms as well, purveying specific advice to the public about what to eat or not. These conversations about "social change as eating" reflect American ideals of freedom, purity, and virtue. Drawing on social and political history as well as the history of science and popular culture, Dangerous Digestion examines how American ideas about dietary reform mirror broader thinking about social reform. Inspired by new scientific studies of the human body as a metabiome-a collaboration of species rather than an isolated, intact, protected, and bounded individual-E. Melanie DuPuis invokes a new metaphor-digestion-to reimagine the American body politic, opening social transformations to ideas of mixing, fermentation, and collaboration. In doing so, the author explores how social activists can rethink politics as inclusive processes that involve the inherently risky mixing of cultures, standpoints, and ideas. 410 0$aCalifornia studies in food and culture ;$v58. 606 $aFood habits$zUnited States$xHistory 606 $aDiet$xPolitical aspects$zUnited States 606 $aDiet$xSocial aspects$zUnited States 610 $aamerican body politic. 610 $aamerican dietary guidelines. 610 $aamerican eating. 610 $adangerous diets. 610 $adietary control in america. 610 $adietary reform. 610 $adigestion. 610 $afood and nutrition. 610 $afood control. 610 $afood habits in the us. 610 $afood obsession. 610 $afood science. 610 $agut health. 610 $ahistory of food. 610 $ahistory of nutrition. 610 $aideal diet for humans. 610 $aingestion. 610 $amarketing nutrition. 610 $apopular diets. 610 $asocial activism in america. 610 $asocial aspects of food. 610 $awhat should i eat. 610 $awhite middle class diets. 615 0$aFood habits$xHistory. 615 0$aDiet$xPolitical aspects 615 0$aDiet$xSocial aspects 676 $a394.1/20973 700 $aDuPuis$b E. Melanie$g(Erna Melanie),$f1957-$0110092 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821984403321 996 $aDangerous digestion$94005793 997 $aUNINA LEADER 04642nam 2200517 a 450 001 9910971138403321 005 20240314031241.0 010 $a1-68393-914-X 010 $a1-61147-001-3 035 $a(CKB)2550000001111633 035 $a(EBL)1342596 035 $a(OCoLC)855969922 035 $a(Au-PeEL)EBL1342596 035 $a(CaPaEBR)ebr10750906 035 $a(CaONFJC)MIL511525 035 $a(MiAaPQ)EBC1342596 035 $a(EXLCZ)992550000001111633 100 $a20130910d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a"What may words say ...?" $ea reading of The merchant of Venice /$fInge Leimberg 205 $a1st ed. 210 $aMadison, N.J. $cFairleigh Dickinson University Press ;$aLanham, Md. $cCo-published with Rowman & Littlefield Pub. Group$dc2011 215 $a1 online resource (294 p.) 300 $aDescription based upon print version of record. 311 08$a1-61147-000-5 311 08$a1-299-80274-5 320 $aIncludes bibliographical references and index. 327 $a""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean"" 327 $a""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 327 $a47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" 327 $aScene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 327 $a1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" 330 $a'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts. 676 $a822.3/3 700 $aLeimberg$b Inge$01855934 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971138403321 996 $a"What may words say ...?"$94454408 997 $aUNINA