LEADER 03571nam 22007332 450 001 9910971102903321 005 20120601135553.0 010 $a9781628928464 010 $a1628928468 010 $a9781283874274 010 $a128387427X 010 $a9781441144133 010 $a1441144137 024 7 $a10.5040/9781628928464 035 $a(CKB)2550000000709855 035 $a(EBL)1099529 035 $a(OCoLC)823724830 035 $a(SSID)ssj0000787256 035 $a(PQKBManifestationID)12364374 035 $a(PQKBTitleCode)TC0000787256 035 $a(PQKBWorkID)10812756 035 $a(PQKB)10308437 035 $a(MiAaPQ)EBC1099529 035 $a(Au-PeEL)EBL1099529 035 $a(CaPaEBR)ebr10638826 035 $a(CaONFJC)MIL418677 035 $a(OCoLC)1194878191 035 $a(UtOrBLW)bpp09257741 035 $a(UtOrBLW)BP9781628928464BC 035 $a(EXLCZ)992550000000709855 100 $a20120521d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransmedia television $enew trends in network serial production /$fby M.J. Clarke 205 $a1st ed. 210 1$aNew York :$cThe Continuum International Pub. Group Inc,$d2012. 215 $a1 recurso en li?nea (257 páginas) 311 08$a9781441183002 311 08$a1441183000 311 08$a9781441165527 311 08$a1441165525 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Tentpole TV: the comicbook -- tentpole TV: the tie-in novel -- Tentpole TV: the video game -- Tentpole TV: the mobisode -- Lost and mastermind narration -- 24 and tentpole spatiality -- Alias and reflexive uncertainty -- Conclusion. 330 $a"Faced with what many were calling a dying medium, US network television producers became much more aggressive in seeking out alternative business and artistic models in the beginning of this century. Most significantly, many of these producers turned to the emerging field of transmedia (ancillary texts in comicbooks, novels and new media) as a way to bolster and support television products. In this book, the author examines four such programs (24, Alias, Heroes and Lost) and investigates how transmedia was incorporated into both the work and the art of network television production. Split into two complementary parts, the book first paints a picture of how transmedia producers were, or were not, incorporated into creative decision-making centers of these serialized programs. The second section explains how the presence of off-site transmedia texts begins to alter the very narrative construction of the on-air series themselves. Including interviews with the transmedia workers, this groundbreaking study extends the field of television studies into brand new areas, and brings a 'dying medium' into the 21st Century."--Bloomsbury Publishing. 606 $aConvergence (Telecommunication) 606 $aMass media 606 $aTelevision series$zUnited States 606 $aTelevision$xSocial aspects$zUnited States 606 $2Television 615 0$aConvergence (Telecommunication) 615 0$aMass media. 615 0$aTelevision series 615 0$aTelevision$xSocial aspects 676 $a791.450973 700 $aClarke$b M. J$g(Michael Jordan),$f1979-$01794956 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910971102903321 996 $aTransmedia television$94335966 997 $aUNINA