LEADER 05645oam 2200457I 450 001 9910970718903321 005 20251117102219.0 010 $a1-138-67998-4 010 $a1-317-19157-9 010 $a1-317-19158-7 024 7 $a10.4324/9781315563596 035 $a(CKB)3790000000538590 035 $a(MiAaPQ)EBC5178425 035 $a(OCoLC)1013991687 035 $a(EXLCZ)993790000000538590 100 $a20180706d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aContemporary choreography $ea critical reader /$fedited by Jo Butterworth and Liesbeth Wildschut 205 $aSecond edition. 210 1$aMilton Park, Abingdon, Oxon ;$aNew York, NY :$cRoutledge,$d2018. 215 $a1 online resource (573 pages) 300 $aIncludes index. 311 08$a1-315-56359-2 311 08$a1-138-67997-6 327 $tchapter General introduction: studying contemporary choreography /$rJO BUTTERWORTH --$tchapter Section introduction --$tchapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research /$rANNA PAKES --$tchapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ?dance? /$rSUSAN MELROSE --$tchapter 3 ?Throwing like a girl?? Gender in a transnational world /$rSUSAN LEIGH FOSTER --$tchapter 4 Choreography that poses problems /$rBOJANA CVEJIC´ --$tchapter 5 Choreography as research: iteration, object, context /$rBEN SPATZ --$tchapter Section introduction --$tchapter 6 Too many cooks? A framework for dance making and devising /$rJO BUTTERWORTH --$tchapter 7 Facilitating choreographic process /$rLARRY LAVENDER --$tchapter 8 Velvet Petal: getting lost /$rFLEUR DARKIN --$tchapter 9 Risk-taking and group dance improvisation /$rJOAO DA SILVA --$tchapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process /$rJENNY ROCHE --$tchapter 11 Jonathan Burrows? Postdance Conference keynote address, Stockholm 2015 /$rJONATHAN BURROWS --$tchapter Intervention /$rPEGGY OLISLAEGERS --$tchapter Section introduction --$tchapter 12 Dance dramaturgical agency /$rPIL HANSEN --$tchapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes /$rKONSTANTINA GEORGELOU --$tchapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography --$tchapter Section introduction --$tchapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community /$rSARA HOUSTON --$tchapter 16 Choreographic approaches in the community context /$rDIANE AMANS --$tchapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share /$rSILVIA SOTER --$tchapter 18 Experiencing space: some implications for site-specific dance performance /$rVICTORIA HUNTER --$tchapter 19 Whispering Birds: site-specific dance, affect and emotion /$rKAREN N. BARBOUR --$tchapter Section introduction --$tchapter 20 Principles of African choreography: some perspectives from Ghana /$rFRANCIS NII-YARTEY --$tchapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world /$rSANDRA NOETH AND SAMAR HADDAD KING --$tchapter 22 Beyond the intercultural to the accented body: an Australian perspective /$rCHERYL STOCK --$tchapter 23 Minority visibility and hip hop choreography: France 2015 /$rFELICIA MCCARREN --$tchapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures /$rGUY COOLS --$tchapter 25 Akram Khan on the politics of choreographing touch /$rROYONA MITRA --$tchapter Section introduction --$tchapter 26 In search of Asian modernity: Cloud Gate Dance Theatre?s body aesthetics in the era of globalisation /$rYA-PING CHEN --$tchapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart?s choreography /$rJEROEN FABIUS --$tchapter 28 Hi, who are you? On choreography and the aged dancer /$rEFVA LILJA --$tchapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company /$rSHO SHIBATA --$tchapter Section introduction --$tchapter 30 Choreographic performance systems /$rJOHANNES BIRRINGER --$tchapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance /$rSITA POPAT --$tchapter 32 How does motion capture mediate dance? /$rLAURA KARREMAN --$tchapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice /$rSOPHY SMITH. 330 $aThis second edition of Contemporary Choreography has been completely revised to present an fully up-to-date range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. The book features contributions from a global range of practitioners and researchers, investigating the field in seven broad domains from Conceptual and Philosophical concerns to Challenging Aesthetics. Twenty three new chapters capture the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars. 606 $aChoreography 615 0$aChoreography. 676 $a792.8/2 702 $aButterworth$b Jo 702 $aWildschut$b Liesbeth$f1952- 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910970718903321 996 $aContemporary choreography$94485575 997 $aUNINA