LEADER 04920nam 2201069Ia 450 001 9910970704303321 005 20250527005316.0 010 $a1-107-14441-8 010 $a1-280-43761-8 010 $a0-511-18436-0 010 $a0-511-16619-2 010 $a0-511-16426-2 010 $a0-511-31296-2 010 $a0-511-48163-2 010 $a0-511-16506-4 035 $a(CKB)1000000000353785 035 $a(EBL)255165 035 $a(OCoLC)271786765 035 $a(SSID)ssj0000208517 035 $a(PQKBManifestationID)11189342 035 $a(PQKBTitleCode)TC0000208517 035 $a(PQKBWorkID)10240482 035 $a(PQKB)11637054 035 $a(UkCbUP)CR9780511481635 035 $a(MiAaPQ)EBC255165 035 $a(Au-PeEL)EBL255165 035 $a(CaPaEBR)ebr10120495 035 $a(CaONFJC)MIL43761 035 $a(PPN)183062337 035 $a(EXLCZ)991000000000353785 100 $a20031230d2004 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNative title in Australia $ean ethnographic perspective /$fPeter Sutton 205 $a1st ed. 210 $aNew York $cCambridge University Press$d2004 215 $a1 online resource (xx, 279 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a0-521-01190-6 311 08$a0-521-81258-5 320 $aIncludes bibliographical references (p. 253-273) and index. 327 $aCover; Half-title; Title; Copyright; Contents; Figures; Acknowledgements; Introduction; 1 Kinds of rights in country; 2 Local organisation before the land claims era; 3 Aboriginal country groups; 4 Atomism versus collectivism; 5 Underlying and proximate customary titles; 6 The system question; 7 Kinship, filiation and Aboriginal land tenure; 8 Families of polity; Notes; References; Index 330 $aNative title has often been one of the most controversial political, legal and indeed moral issues in Australia. Ever since the High Court's Mabo decision of 1992, the attempt to understand and adapt native title to different contexts and claims has been an ongoing concern for that broad range of people involved with claims. In this book, originally published in 2003, Peter Sutton sets out fundamental anthropological issues to do with customary rights, kinship, identity, spirituality and so on that are relevant for lawyers and others working on title claims. Sutton offers a critical discussion of anthropological findings in the field of Aboriginal traditional interests in land and waters, focusing on the kinds of customary rights that are 'held' in Aboriginal 'countries', the types of groups whose members have been found to enjoy those rights, and how such groups have fared over the last 200 years of Australian history. 606 $aAboriginal Australians$xLand tenure 606 $aAboriginal Australians$xCivil rights 606 $aAboriginal Australians$xLegal status, laws, etc 606 $aLand tenure$xLaw and legislation$zAustralia 606 $aNative title (Australia) 606 $aCustomary law$zAustralia 606 $aJawoyn people N57$2aiatsisl 606 $aYapa people C15$2aiatsisl 606 $aCulture - Relationship to land$2aiatsiss 606 $aSocial organisation - Kinship - Systems$2aiatsiss 606 $aLand rights - Ownership$2aiatsiss 606 $aNative title - Claims$2aiatsiss 606 $aNative title - Coexistence$2aiatsiss 606 $aNative title$2aiatsiss 606 $aGovernment policy$2aiatsiss 606 $aPolitics and Government - Civil rights and citizenship$2aiatsiss 606 $aLaw - Indigenous$2aiatsiss 607 $aAustralia$xRace relations 607 $aAustralia$xSocial policy 607 $aAustralia$xPolitics and government 615 0$aAboriginal Australians$xLand tenure. 615 0$aAboriginal Australians$xCivil rights. 615 0$aAboriginal Australians$xLegal status, laws, etc. 615 0$aLand tenure$xLaw and legislation 615 0$aNative title (Australia) 615 0$aCustomary law 615 7$aJawoyn people N57. 615 7$aYapa people C15. 615 7$aCulture - Relationship to land. 615 7$aSocial organisation - Kinship - Systems. 615 7$aLand rights - Ownership. 615 7$aNative title - Claims. 615 7$aNative title - Coexistence. 615 7$aNative title. 615 7$aGovernment policy. 615 7$aPolitics and Government - Civil rights and citizenship. 615 7$aLaw - Indigenous. 676 $a333.2 700 $aSutton$b Peter$f1946-$0866821 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970704303321 996 $aNative title in Australia$94382464 997 $aUNINA LEADER 04584oam 22006494a 450 001 9910213813003321 005 20230621141052.0 010 $a9780520968196 010 $a0520968190 024 7 $a10.1525/9780520968196 035 $a(CKB)3780000000450771 035 $a(DE-B1597)539730 035 $a(DE-B1597)9780520968196 035 $a(OCoLC)965446717 035 $a(MdBmJHUP)muse73009 035 $a(ScCtBLL)21b2a539-8fa4-4a82-bc74-d8aa8466b9b1 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33904 035 $a(MiAaPQ)EBC31594329 035 $a(Au-PeEL)EBL31594329 035 $a(Perlego)551361 035 $a(oapen)doab33904 035 $a(oapen)doab37081 035 $a(EXLCZ)993780000000450771 100 $a20161117h20172017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVoices of Labor$eCreativity, Craft, and Conflict in Global Hollywood /$fMichael Curtin, Kevin Sanson 205 $a1st ed. 210 $aOakland, California$cUniversity of California Press$d2017 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2017] 210 4$dİ2017 215 $a1 online resource (284 p.) 300 $aIncludes index. 311 08$a9780520295438 311 08$a0520295439 327 $aListening to labor / Michael Curtin and Kevin Sanson -- Mara Brock Akil, showrunner -- Tom Schulman, screenwriter -- Allison Anders, director -- Lauren Polizzi, art director -- Mary Jane Fort, costume designer -- Anonymous, make-up artist -- Stephen Lighthill, cinematographer -- Calvin Starnes, grip -- Steve Nelson, sound recordist -- Rob Matsuda, musician -- Anonymous, studio production executive -- David Minkowski, service producer -- Adam Goodman, service producer -- Stephn Burt, production manager -- Belle Doyle, locations manager -- Wesley Hagan, locations manager -- Scott Ross, VFX manager -- Dave Rand, VFX artist -- Mariana Acun?a-Acosta, VFX artist -- Daniel Lay, VFX artist -- Steve Kaplan, union official -- Dusty Kelly, union official. 330 $a"The film industry in Hollywood now employs a global mode of production run by massive media conglomerates that mobilize hundreds, sometimes thousands, of workers for each feature film or television series. Yet these workers and their labor remain largely invisible to the general audience. In fact, this has been a signal characteristic of Hollywood style for more than a hundred years: everything that matters happens onscreen, not off. Consequently, when it comes to movies and television, the voices heard most often are those belonging to talent and corporate executives. Those we hear least are the voices of labor, and it's that silence we aim to redress in the collection of interviews in this book. Drawing from the detailed and personal accounts in this collection, we offer three interrelated propositions about the current state and future prospects of craftwork and screen media labor: 1. Craftwork exists within an intricate and intimate matrix of social relations. 2. Hollywood craftwork today constitutes a regime of excessive labor. 3. Screen media production is a protean entity. We organized the collection into three sections: company town, global machine, and fringe city. The first section refers to Hollywood's historic roots as a core component of the motion picture business. The second section engages more directly with the spatial dynamics of film and television production to underscore the economic and political structures that are integrating distant locations into the studios' mode of production. We close with a section on the visual effects sector, in which stories shared by vfx artists, advocates, and organizers specifically illustrate how the industry today relies on marginal institutions to sustain its power and profitability"--Provided by publisher. 606 $aMass media and globalization 606 $aMotion picture industry$zCalifornia$zLos Angeles 606 $aMotion picture industry$xEmployees$vInterviews 608 $aElectronic books. 615 0$aMass media and globalization. 615 0$aMotion picture industry 615 0$aMotion picture industry$xEmployees 676 $a384/.80979494 700 $aCurtin$b Michael$4auth$0884608 702 $aSanson$b Kevin 702 $aCurtin$b Michael 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910213813003321 996 $aVoices of Labor$94129072 997 $aUNINA