LEADER 04064oam 2200805I 450 001 9910970551503321 005 20251117092805.0 010 $a1-136-65785-1 010 $a0-203-80679-4 010 $a1-283-86253-0 010 $a1-136-65786-X 024 7 $a10.4324/9780203806791 035 $a(CKB)2670000000299391 035 $a(OCoLC)823730276 035 $a(CaPaEBR)ebrary10632534 035 $a(SSID)ssj0000832237 035 $a(PQKBManifestationID)12316366 035 $a(PQKBTitleCode)TC0000832237 035 $a(PQKBWorkID)10881749 035 $a(PQKB)11774113 035 $a(MiAaPQ)EBC1092839 035 $a(Au-PeEL)EBL1092839 035 $a(CaPaEBR)ebr10632534 035 $a(CaONFJC)MIL417503 035 $a(OCoLC)823387109 035 $a(OCoLC)820630673 035 $a(OCoLC)789661611 035 $a(FINmELB)ELB141458 035 $a(EXLCZ)992670000000299391 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFraming Sarah Palin $epitbulls, puritans, and politics /$fLinda Beail and Rhonda Kinney Longworth 205 $a1st ed. 210 $aNew York $cRoutledge$dc2013 210 1$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (203 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-415-89333-X 311 08$a0-415-89336-4 320 $aIncludes bibliographical references and index. 327 $apt. I. Conventional frames : Republican narratives -- pt. II. Contested frames : gender narratives. 330 $aSarah Palin's 2008 vice presidential candidacy garnered tremendous levels of interest, polarizing the American public-both Democrats and Republicans alike. While many have wondered who she "really" is, trying to cut through the persona she projects and the one projected by the media, Beail and Longworth analyze why she touches such a nerve with the American electorate. Why does she ignite such passionate loyalty - and such loathing? How did her candidacy mobilize new parts of the electorate? Using the notion of "framing" as a way of understanding political perception, the authors analyze the narratives told by and about Sarah Palin in the 2008 election - from beauty queen, maverick, faithful fundamentalist and post-feminist role model to pit bull hockey mom, frontier woman, and political outsider. They discuss where those frames are rooted historically in popular and political culture, why they were selected, and the ways that the frames resonated with the electorate. Framing Sarah Palin addresses the question of what the choice and perception of these frames tells us about the state of American politics, and about the status of American women in politics in particular. What do the debates engendered by these images of Palin say about the current roles and power available to women in American society? What are the implications of her experience for future candidates, particularly women candidates, in American politics?. 606 $aSex role$xPolitical aspects$zUnited States 606 $aPolitical culture$zUnited States 606 $aCommunication in politics$zUnited States 606 $aWomen political candidates$zUnited States 606 $aWomen in popular culture$zUnited States 606 $aPresidents$zUnited States$xElection$y2008$xPublic opinion 606 $aPublic opinion$zUnited States 615 0$aSex role$xPolitical aspects 615 0$aPolitical culture 615 0$aCommunication in politics 615 0$aWomen political candidates 615 0$aWomen in popular culture 615 0$aPresidents$xElection$xPublic opinion. 615 0$aPublic opinion 676 $a979.8/052092 700 $aBeail$b Linda.$01874111 701 $aLongworth$b Rhonda Kinney$f1967-$01874112 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970551503321 996 $aFraming Sarah Palin$94484469 997 $aUNINA