LEADER 03964nam 2200745Ia 450 001 9910461772603321 005 20200520144314.0 010 $a1-280-57123-3 010 $a9786613600837 010 $a0-300-16310-X 024 7 $a10.12987/9780300163100 035 $a(CKB)2670000000184382 035 $a(StDuBDS)AH23093120 035 $a(SSID)ssj0000645411 035 $a(PQKBManifestationID)11388898 035 $a(PQKBTitleCode)TC0000645411 035 $a(PQKBWorkID)10681897 035 $a(PQKB)10630246 035 $a(MiAaPQ)EBC3420839 035 $a(DE-B1597)486381 035 $a(OCoLC)1024014852 035 $a(OCoLC)1029824829 035 $a(OCoLC)1032677771 035 $a(OCoLC)994610992 035 $a(DE-B1597)9780300163100 035 $a(Au-PeEL)EBL3420839 035 $a(CaPaEBR)ebr10551237 035 $a(CaONFJC)MIL360083 035 $a(OCoLC)923598110 035 $a(EXLCZ)992670000000184382 100 $a20100224d2010 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDarwin's pictures$b[electronic resource] $eviews of evolutionary theory, 1837-1874 /$fJulia Voss ; translated by Lori Lantz 210 $aNew Haven $cYale University Press$dc2010 215 $a1 online resource (368 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-14174-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. The Galápagos Finches: John Gould, Darwin's Invisible Craftsman, And The Visual Discipline Of Ornithology -- $t2. Darwin's Diagrams: Images Of The Discovery Of Disorder -- $t3. The Picture Series: On The Evolution Of Imperfection -- $t4. The Laughing Monkey: The Human Animal -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex 330 $aIn this first-ever examination of Charles Darwin's sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pictures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin's theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). These images were profoundly significant for Darwin's long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual information and constitutes what can be called an "icon" of evolution. Voss shows how Darwin "thought with his eyes" and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected. Voss explores four of Darwin's images in depth, and weaves about them a story on the development and presentation of Darwin's theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images. 606 $aEvolution (Biology) 606 $aEvolution (Biology)$xPhilosophy$xHistory$y19th century 606 $aZoological illustration$xHistory$y19th century 606 $aArt and science 606 $aVisual communication in science 608 $aElectronic books. 615 0$aEvolution (Biology) 615 0$aEvolution (Biology)$xPhilosophy$xHistory 615 0$aZoological illustration$xHistory 615 0$aArt and science. 615 0$aVisual communication in science. 676 $a576.8 700 $aVoss$b Julia$f1974-$01041532 701 $aLantz$b Lori$01041533 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461772603321 996 $aDarwin's pictures$92465125 997 $aUNINA LEADER 01762nam 2200349Ia 450 001 996396240103316 005 20200818211322.0 035 $a(CKB)4940000000056359 035 $a(EEBO)2240951855 035 $a(OCoLC)ocm12119382e 035 $a(OCoLC)12119382 035 $a(EXLCZ)994940000000056359 100 $a19850605d1643 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 00$a[Antiteichisma], or, A counter-scarfe prepared anno 1642 for the eviction of those zealots that in their workes defie all externall bowing at the name of Jesus, or, The exaltation of his person and name by God and us in ten tracts against Jewes, Turkes, pagans, heretickes, schismatickes, &c. that oppose both or either$b[electronic resource] /$fby Tho. Barton ... ; wherein is added A tryall thereof 210 $aLondon $cPrinted by R.C. for Andrew Crooke ...$d1643 215 $a[8], 249, [1] p 300 $aImperfect: special title page for A tryall: Apodeixis tou antiteichismatos. London : Printed by Thomas Purslow for Andrew Crooke, 1643, is lacking on filmed copy. 300 $aReproduction of original in Thomason Collection, British Library. 330 $aeebo-0158 700 $aBarton$b Thomas$f1599 or 1600-1682 or 3.$01002654 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bOCL 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996396240103316 996 $aOr, A counter-scarfe prepared anno 1642 for the eviction of those zealots that in their workes defie all externall bowing at the name of Jesus, or, The exaltation of his person and name by God and us in ten tracts against Jewes, Turkes, pagans, heretickes, schismatickes, &c. that oppose both or either$92383349 997 $aUNISA LEADER 03676nam 22008295 450 001 9910970551103321 005 20240321230941.0 010 $a9786611364168 010 $a9781281364166 010 $a1281364169 010 $a9781403978738 010 $a1403978735 024 7 $a10.1057/9781403978738 035 $a(CKB)1000000000342835 035 $a(SSID)ssj0000154713 035 $a(PQKBManifestationID)11156429 035 $a(PQKBTitleCode)TC0000154713 035 $a(PQKBWorkID)10418564 035 $a(PQKB)11172800 035 $a(DE-He213)978-1-4039-7873-8 035 $a(MiAaPQ)EBC308224 035 $a(Au-PeEL)EBL308224 035 $a(CaPaEBR)ebr10135411 035 $a(CaONFJC)MIL136416 035 $a(OCoLC)560461100 035 $a(Perlego)3497594 035 $a(EXLCZ)991000000000342835 100 $a20151123d2005 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 14$aThe Figure of the Crowd in Early Modern London $eThe City and its Double /$fby I. Munro 205 $a1st ed. 2005. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2005. 215 $a1 online resource (IX, 255 p.) 225 1 $aEarly Modern Cultural Studies 1500-1700,$x2634-5900 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9781349529513 311 08$a1349529516 311 08$a9781403966421 311 08$a1403966427 320 $aIncludes bibliographical references (p. [231]-247) and index. 327 $aCover -- The Figure of the Crowd in Early Modern London -- Contents -- Acknowledgments -- 1 Introduction: Crowded Spaces -- 1 Imaginary Numbers: City, Crowd, Theater -- 2 London's Mirror: Civic Ritual and the Crowd -- 3 "Shakespeare's London": the Scene of London in the Second Tetralogy and Henry VIII -- 4 Distracted Multitude: The Theater and The Many-Headed Monster -- 5 "Rome, ETC.": Sejanus, Julius Caesar, and the Prodigious City -- 6 "A Kind of Nothing": Plague Time in Early Modern London -- Notes -- Bibliography -- Index. 330 $aThe Figure of the Crowd in Early Modern London examines the cultural phenomenon of the urban crowd in the context of early modern London's population crisis. The book explores the crowd's double function as a symbol of the city's growth and as the necessary context for the public performance of urban culture. Its central argument is that the figure of the crowd acts as a supplement to the symbolic space of the city, at once providing a tangible referent for urban meaning and threatening the legibility of that meaning through its motive force and uncontrollable energy. 410 0$aEarly Modern Cultural Studies 1500-1700,$x2634-5900 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aSocial history 606 $aCivilization$xHistory 606 $aCulture$xStudy and teaching 606 $aEarly Modern and Renaissance Literature 606 $aSocial History 606 $aCultural History 606 $aCultural Studies 615 0$aEuropean literature 615 0$aSocial history. 615 0$aCivilization$xHistory. 615 0$aCulture$xStudy and teaching. 615 14$aEarly Modern and Renaissance Literature. 615 24$aSocial History. 615 24$aCultural History. 615 24$aCultural Studies. 676 $a820.9/32421 700 $aMunro$b Ian$f1967-$0901140 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970551103321 996 $aThe Figure of the Crowd in Early Modern London$94330370 997 $aUNINA