LEADER 03581nam 22007932 450 001 9910970520403321 005 20151005020622.0 010 $a9781107150171 010 $a1107150175 010 $a9781280516153 010 $a1280516151 010 $a9780511214363 010 $a0511214367 010 $a9780511216152 010 $a0511216157 010 $a9780511210785 010 $a0511210787 010 $a9780511315053 010 $a0511315058 010 $a9780511481703 010 $a0511481705 010 $a9780511212550 010 $a0511212550 035 $a(CKB)1000000000353014 035 $a(EBL)266623 035 $a(OCoLC)560240424 035 $a(SSID)ssj0000196213 035 $a(PQKBManifestationID)11166524 035 $a(PQKBTitleCode)TC0000196213 035 $a(PQKBWorkID)10142278 035 $a(PQKB)11106067 035 $a(UkCbUP)CR9780511481703 035 $a(MiAaPQ)EBC266623 035 $a(Au-PeEL)EBL266623 035 $a(CaPaEBR)ebr10131734 035 $a(CaONFJC)MIL51615 035 $a(EXLCZ)991000000000353014 100 $a20090216d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMaking words sing $enineteenth- and twentieth-century song /$fJonathan Dunsby 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (x, 153 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a9780521120463 311 08$a0521120462 311 08$a9780521836616 311 08$a0521836611 320 $aIncludes bibliographical references (p. 143-149) and index. 327 $aAn introduction with no words, with intended words, and untheory -- A love song : Brahms's 'Von ewiger Liebe' -- Boundless opulence : postscripts on Schoenberg's premonition -- Interlude on peace, laws, flowers, and men flying -- To Amherst via Vienna -- By way of brief conclusion. 330 $aWhat makes a classical song a song? In a wide-ranging 2004 discussion, covering such contrasting composers as Brahms and Berberian, Schubert and Kurta?g, Jonathan Dunsby considers the nature of vocality in songs of the nineteenth and twentieth centuries. The essence and scope of poetic and literary meaning in the Lied tradition is subjected to close scrutiny against the backdrop of 'new musicological' thinking and music-theoretical orthodoxies. The reader is thus offered the best insights available within an evidence-based approach to musical discourse. Schoenberg figures conspicuously as both songsmith and theorist, and some easily comprehensible Schenkerian approaches are used to convey ideas of musical time and expressive focus. In this work of scholarship and theoretical depth, Professor Dunsby's highly original approach and engaging style will ensure its appeal to all practising musicians and students of Romantic and modern music. 606 $aSongs$xAnalysis, appreciation 606 $aSongs$y19th century$xHistory and criticism 606 $aSongs$y20th century$xHistory and criticism 615 0$aSongs$xAnalysis, appreciation. 615 0$aSongs$xHistory and criticism. 615 0$aSongs$xHistory and criticism. 676 $a782.42168 700 $aDunsby$b Jonathan$01844529 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910970520403321 996 $aMaking words sing$94427211 997 $aUNINA