LEADER 03725nam 2200637 450 001 9910783691803321 005 20230617040848.0 010 $a0-19-770180-9 010 $a1-280-50314-9 010 $a0-19-534775-7 010 $a1-4337-0083-2 035 $a(CKB)1000000000245660 035 $a(EBL)279816 035 $a(OCoLC)559935158 035 $a(SSID)ssj0000220763 035 $a(PQKBManifestationID)11198068 035 $a(PQKBTitleCode)TC0000220763 035 $a(PQKBWorkID)10156143 035 $a(PQKB)11659775 035 $a(Au-PeEL)EBL4702255 035 $a(CaPaEBR)ebr11273479 035 $a(CaONFJC)MIL50314 035 $a(OCoLC)60932757 035 $a(MiAaPQ)EBC4702255 035 $a(EXLCZ)991000000000245660 100 $a20161012h20042004 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPhenotypic integration $estudying the ecology and evolution of complex phenotype /$fedited by Massimo Katherine, Pigliucci Preston 210 1$aNew York, New York :$cOxford University Press,$d2004. 210 4$dİ2004 215 $a1 online resource (460 p.) 300 $aDescription based upon print version of record. 311 $a0-19-516043-6 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aContents; Contributors; Introduction; 1. The Diversity of Complexity; Part I: Adaptation and Constraints; 2. Floral Integration, Modularity, and Accuracy: Distinguishing Complex Adaptations from Genetic Constraints; 3. Integration and Modularity in the Evolution of Sexual Ornaments: An Overlooked Perspective; 4. The Evolution of Allometry in Modular Organisms; 5. Phenotypic Integration as a Constraint and Adaptation; 6. Evolvability, Stabilizing Selection, and the Problem of Stasis; 7. Studying the Plasticity of Phenotypic Integration in a Model Organism 327 $a8. Integrating Phenotypic Plasticity When Death Is on the Line: Insights from Predator-Prey Systems 9. QTL Mapping: A First Step Toward an Understanding of Molecular Genetic Mechanisms Behind Phenotypic Complexity/Integration; 10. Integration, Modules, and Development: Molecules to Morphology to Evolution; 11. Studying Mutational Effects on G-Matrices; 12. The Macroevolution of Phenotypic Integration; 13. Form, Function, and Life History: Spatial and Temporal Dynamics of Integration; 14. Morphological Integration in Primate Evolution; 15. Phylogenetic Comparative Analysis of Multivariate Data 327 $a16. The Evolution of Genetic Architecture 17. Multivariate Phenotypic Evolution in Developmental Hyperspace; 18. The Relativism of Constraints on Phenotypic Evolution; 19. The Developmental Systems Perspective: Organism-Environment Systems as Units of Development and Evolution; Conclusion; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q; R; S; T; U; V; W; Z 330 $aThe interface of evolution and development has attracted the attention of evolutionary and developmental biologists, geneticists, and organismal biologists. Pigliucci (ecology, evolutionary biology, University of Tennessee) and Preston (botany, Stanford University) bring together work by experts in the field of phenotype integration, shedding light 606 $aPhenotype 606 $aEvolutionary genetics 615 0$aPhenotype. 615 0$aEvolutionary genetics. 676 $a576.53 702 $aPigliucci$b Massimo$f1964- 702 $aPreston$b Katherine$g(Katherine A.), 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783691803321 996 $aPhenotypic integration$93705882 997 $aUNINA LEADER 03555nam 2200709 a 450 001 9910970205603321 005 20251002183346.0 010 $a1-78402-669-7 010 $a1-283-86454-1 010 $a0-8135-5218-4 024 7 $a10.36019/9780813552187 035 $a(CKB)2670000000154953 035 $a(OCoLC)777375657 035 $a(CaPaEBR)ebrary10535584 035 $a(SSID)ssj0000688526 035 $a(PQKBManifestationID)11437276 035 $a(PQKBTitleCode)TC0000688526 035 $a(PQKBWorkID)10607517 035 $a(PQKB)10794436 035 $a(MdBmJHUP)muse17482 035 $a(DE-B1597)529034 035 $a(DE-B1597)9780813552187 035 $a(Au-PeEL)EBL861454 035 $a(CaPaEBR)ebr10535584 035 $a(CaONFJC)MIL417704 035 $a(OCoLC)1163878356 035 $a(MiAaPQ)EBC861454 035 $a(EXLCZ)992670000000154953 100 $a20110330d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigital visual effects in cinema $ethe seduction of reality /$fStephen Prince 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2012 215 $a1 online resource (270 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-8135-5185-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction : beyond spectacle -- Through the looking glass -- Painting with digital light -- Actors and algorithms -- Digital environment creation -- Immersive aesthetics -- Conclusion : the pleasures of illusion. 330 $aAvatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects?driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. 606 $aMotion picture industry$xTechnological innovations 606 $aMotion pictures$xAesthetics 606 $aDigital cinematography 606 $aCinematography$xSpecial effects 606 $aCinematography$xTechnological innovations 615 0$aMotion picture industry$xTechnological innovations. 615 0$aMotion pictures$xAesthetics. 615 0$aDigital cinematography. 615 0$aCinematography$xSpecial effects. 615 0$aCinematography$xTechnological innovations. 676 $a778.5/3 700 $aPrince$b Stephen$f1955-$0778741 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970205603321 996 $aDigital visual effects in cinema$94443357 997 $aUNINA