LEADER 01981cam2M2200541--I450- 001 990001068730203316 005 20110208114126.0 010 $a88-452-9148-0 035 $a000106873 035 $aUSA01000106873 035 $a(ALEPH)000106873USA01 035 $a000106873 100 $a20020415d2001----km|y0itay50------ba 101 2 $aita$apol 102 $aIT 105 $ay|||||||001yy 200 1 $aTutte le opere letterarie$epoesie, drammi e scritti sul teatro$fKarol Wojtyla$gpresentazione di Giovanni Reale$gsaggi introduttivi di Boreslaw Taborski 210 $aMilano$cBompiani$d2001 215 $aXXXVIII, 1001 p.$d22 cm 225 0 $aBompiani Il pensiero occidentale 300 $aTesto orig. a fronte 410 0$1001000286362$12001$aBompiani Il pensiero occidentale 676 $a891.8527 700 0$aIOANNES PAULUS$c$0437205 702 1$aREALE,$bGiovanni$f<1931-2014> 702 1$aTABORSKI,$bBoleslaw 801 0$aIT$bsalbc$gISBD$c20011218 912 $a990001068730203316 951 $aII.1 Coll. 115/ 12$b181434 L.M.$cII.1 Coll.$d00179711 951 $aII.1 Coll. 115/ 12a$b161192 L.M.$cII.1 Coll.$d00079611 959 $aBK 969 $aUMA 979 $aJOHNNY$b90$c20020415$lUSA01$h1813 979 $aPATRY$b90$c20040406$lUSA01$h1714 979 $aCOPAT5$b90$c20050607$lUSA01$h1550 979 $aVITALE$b90$c20060127$lUSA01$h1647 979 $aCOPAT7$b90$c20070207$lUSA01$h0938 979 $aANNAMARIA$b90$c20070209$lUSA01$h1248 979 $aANNAMARIA$b90$c20070209$lUSA01$h1251 979 $aANNAMARIA$b90$c20090506$lUSA01$h0808 979 $aANNAMARIA$b90$c20091221$lUSA01$h1354 979 $aANNAMARIA$b90$c20091221$lUSA01$h1421 979 $aANNAMARIA$b90$c20100531$lUSA01$h1602 979 $aANNAMARIA$b90$c20110208$lUSA01$h1141 979 $aANNAMARIA$b90$c20110208$lUSA01$h1141 979 $aANNAMARIA$b90$c20141028$lUSA01$h1318 996 $aTutte le opere letterarie$9979716 997 $aUNISA LEADER 04137nam 2200637 a 450 001 9910969970803321 005 20251116191620.0 010 $a1-134-56493-7 010 $a1-134-56494-5 010 $a0-203-68588-1 010 $a1-280-10275-6 010 $a0-203-64515-4 024 7 $a10.4324/9780203645154 035 $a(CKB)1000000000360511 035 $a(EBL)200018 035 $a(OCoLC)180696592 035 $a(SSID)ssj0000287889 035 $a(PQKBManifestationID)11912647 035 $a(PQKBTitleCode)TC0000287889 035 $a(PQKBWorkID)10372201 035 $a(PQKB)10285546 035 $a(MiAaPQ)EBC200018 035 $a(Au-PeEL)EBL200018 035 $a(CaPaEBR)ebr10094162 035 $a(CaONFJC)MIL10275 035 $a(OCoLC)57482051 035 $a(EXLCZ)991000000000360511 100 $a20040123d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAction and adventure cinema /$fedited by Yvonne Tasker 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d2004 215 $a1 online resource (431 p.) 300 $aDescription based upon print version of record. 311 08$a0-415-23507-3 311 08$a0-415-23506-5 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; List of illustrations; Notes on contributors; Acknowledgements; INTRODUCTION : ACTION AND ADVENTURE CINEMA; History, criticism and style; 'TRAUMA THRILLS': NOTES ON EARLY ACTION CINEMA; THE 'CULTURE WAR' OF SENSATIONAL MELODRAMA, 1910-14; 'CHILD OF COMM ERCE! BASTARD OF ART!':EARLY FILM MELODRAMA; ACTION-ADVENTURE AS HOLLYWOOD GENRE; DWIGHT MACDONALD AND THE HISTORICAL EPIC; Theorising action aesthetics; 'GET READY FOR RUSH HOUR': THE CHRONOTOPE IN ACTION; THE COLLAPSE OF REALITY AND ILLUSION IN THE MATRIX; GUNS AND GAS: INVESTIGATING THE 1970S CAR CHASE FILM 327 $aSAVING PRIVATE RYAN'S 'SPECIAL AFFECT'Gender, stars, bodies; READY FOR ACTION: G.I.JANE, DEMI MOORE'S BODY AND THE FEMALE COMBAT MOVIE; MS MACHA: THE NEW LATINA ACTION HERO; BEAUTY IN MOTION: GENDER, SPECTACLE AND ACTION BABE CINEMA; BREAKDOWN: WHITE MASCULINITY, CLASS, AND US ACTION-ADVENTU RE FILMS; MAXIMUS MELODRAMATICUS: MASCULINITY, MASOCHISM AND WHITE MALE PARANOIA IN CONTEMPORARY HOLLYWOOD CINEMA; THE FAMILY IN ACTION; Nation, ethnicity and stardom; THE HONG KONG/HOLLYWOOD CONNECTION: STARDOM AND SPECTACLE IN TRANSNATIONAL ACTION C I NEMA; EUROPEANS IN ACTION! 327 $aGREEK WAR FILM AS MELODRAMA: WOMEN, FEMALE STARS, AND THE NATION AS VICTIMSPAGHETTI WESTERN, GENRE CRITICISM AND NATIONAL CINEMA: RE-DEFINING THE FRAME OF REFERENCE; Action, authorship and industry; GENRE AND VIOLENCE IN THE WORK OF KUROSAWA AND PECKINPAH; THE DIRTY DOZEN: THE CONTRADICTORY NATURE OF SCREEN VIOLENCE; 'IT'S AIMED AT KIDS--THE KID IN EVERYBODY': GEORGE LUCAS, STAR WARS AND CHILDREN'S ENTERTAINMENT; MAN'S FAVOURITE SPORT?: THE ACTION FILM S OF KATHRYN BIGELOW; 'THEY CALL ME ""ACTION WOMAN""': THE MARKETING OF MIMI LEDER AS A NEW CONCEPT IN THE HIGH CONCEPT 'ACTION' FILM; Index 330 $aThis exciting collection addresses action and adventure from the silent to the contemporary period exploring diverse questions of aesthetics, industry and ideology. Action has established itself as one of the leading commercial genres of the New Hollywood cinema, generating extensive debate in the process.Contributors consider how action might best be defined, how it has developed historically, and how it works formally. The critical reception and standing of action and adventure cinema is considered in relation to questions of national culture, violence and the 'art' of cinema. 606 $aAction and adventure films$xHistory and criticism 615 0$aAction and adventure films$xHistory and criticism. 676 $a791.43/655 701 $aTasker$b Yvonne$f1964-$0846181 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969970803321 996 $aAction and adventure cinema$94495329 997 $aUNINA