LEADER 00730nam0-22002651i-450- 001 990005840460403321 005 19990530 035 $a000584046 035 $aFED01000584046 035 $a(Aleph)000584046FED01 035 $a000584046 100 $a19990530d1933----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a<>isola dei morti$eCommedia in satti$fGiuseppe Toffani 210 $aNapoli$cCasella$d1933 215 $a85 p.$d19 cm 700 1$aToffanin,$bGiuseppe$f<1891-1980>$0157152 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005840460403321 952 $aBIBL.FOL. 476$bBIBL. 40173$fFLFBC 959 $aFLFBC 996 $aIsola dei morti$9566387 997 $aUNINA LEADER 03667nam 2200649Ia 450 001 9910969930903321 005 20200520144314.0 010 $a9780299156039 010 $a0299156036 035 $a(CKB)2520000000006564 035 $a(OCoLC)44961337 035 $a(CaPaEBR)ebrary10351464 035 $a(SSID)ssj0000275423 035 $a(PQKBManifestationID)11213625 035 $a(PQKBTitleCode)TC0000275423 035 $a(PQKBWorkID)10340667 035 $a(PQKB)10108800 035 $a(MiAaPQ)EBC3444907 035 $a(Perlego)4386131 035 $a(EXLCZ)992520000000006564 100 $a19970318d1997 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWriting women's communities $ethe politics and poetics of contemporary multi-genre anthologies /$fCynthia G. Franklin 205 $a1st ed. 210 $aMadison $cUniversity of Wisconsin Press$dc1997 215 $a1 online resource (282 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780299156046 311 08$a0299156044 320 $aIncludes bibliographical references and index. 327 $aIntro -- Contents -- Acknowledgments -- 1. Introduction: Writing across Communities -- 2. Another 1981: From This Bridge Called My Back to Making Face, Making Soul/Haciendo Caras -- 3. Coming Out and Staying Home: Nice Jewish Girls and Home Girls -- 4. The Making and Unmaking of Asian American Identity: Making Waves and The Forbidden Stitch -- 5. (Un)Common Class Identities in the United States and Britain: Calling Home and The Common Thread -- 6. Around 1996: Re-Placing Identity Politics from the "Racial Paradise" of Hawai'i -- Notes -- Works Cited -- Index. 330 8 $aBeginning in the 1980s, a number of popular and influential anthologies organized around themes of shared identity- Nice Jewish Girls, This Bridge Called My Back, Home Girls, and others-have brought together women's fiction and poetry with journal entries, personal narratives, and transcribed conversations. These groundbreaking multi-genre anthologies, Cynthia G. Franklin demonstrates, have played a crucial role in shaping current literary studies, in defining cultural and political movements, and in building connections between academic and other communities. Exploring intersections and alliances across the often competing categories of race, class, gender, and sexuality, Writing Women's Communities contributes to current public debates about multiculturalism, feminism, identity politics, the academy as a site of political activism, and the relationship between literature and politics. 606 $aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aCommunities in literature 606 $aLiterary form 606 $aLiterature publishing$xPolitical aspects$zUnited States$xHistory$y20th century 606 $aPolitics and literature$zUnited States$xHistory$y20th century 606 $aWomen and literature$zUnited States$xHistory$y20th century 615 0$aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aCommunities in literature. 615 0$aLiterary form. 615 0$aLiterature publishing$xPolitical aspects$xHistory 615 0$aPolitics and literature$xHistory 615 0$aWomen and literature$xHistory 676 $a810.9/9287/09045 700 $aFranklin$b Cynthia G$0852372 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969930903321 996 $aWriting Women's Communities$92814549 997 $aUNINA