LEADER 01275nam0 22002771i 450 001 UON00490572 005 20231205105329.820 100 $a20181003d1978 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| 1|||| 200 1 $aˆDie ‰Künstlerischen Funktionen der Sprache in den Dramen von A. N. Ostrovskij$fvon Ulrich Steltner 210 $aGiessen$cWilhelm Schmitz$d1978 215 $a317 p.$d23 cm. 410 1$1001UON00419944$12001 $aFrankfurter Abhandlungen zur Slawistik$fhrsg. von Alfred Rammelmayer$1210 $aMeisenheim am Glan$cVerlag Anton Hain$d19-$v26 606 $aOSTROVSKIJ ALEKSANDR NIKOLAEVI?$3UONC086875$2FI 620 $aDE$dGiessen$3UONL000777 676 $a891.709$cLetteratura russa. Storia, geografia, persone$v21 700 1$aSTELTNER$bUlrich$3UONV240150$0756575 712 $aWilhelm Schmitz Verlag$3UONV267711$4650 801 $aIT$bSOL$c20241220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00490572 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI RUSSO C 3576 $eSI EO 10208 7 3576 996 $aKünstlerischen Funktionen der Sprache in den Dramen von A. N. 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XX - CRITICA$3UONC006913 996 $aLetteratura delle Rovine: l'opera narrativa di Bei Dao$91198320 997 $aUNIOR LEADER 04248nam 2200697Ia 450 001 9910969554403321 005 20250805104822.0 010 $a94-012-0656-2 010 $a1-4356-9520-8 024 7 $a10.1163/9789401206563 035 $a(CKB)1000000000720888 035 $a(EBL)556532 035 $a(OCoLC)714567278 035 $a(SSID)ssj0000428149 035 $a(PQKBManifestationID)12202083 035 $a(PQKBTitleCode)TC0000428149 035 $a(PQKBWorkID)10414540 035 $a(PQKB)11609934 035 $a(MiAaPQ)EBC556532 035 $a(OCoLC)310109910$z(OCoLC)649903110$z(OCoLC)714567278$z(OCoLC)764535779 035 $a(nllekb)BRILL9789401206563 035 $a(Au-PeEL)EBL556532 035 $a(CaPaEBR)ebr10380116 035 $a(EXLCZ)991000000000720888 100 $a20090317d2008 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aSightings $emirrors in texts -- texts in mirrors /$fJoyce O. Lowrie 205 $a1st ed. 210 $aAmsterdam ;$aNew York $cRodopi$dc2008 215 $a1 online resource (241 p.) 225 1 $aAt the interface/probing the boundaries ;$v54 300 $aDescription based upon print version of record. 311 08$a90-420-2495-X 320 $aIncludes bibliographical references. 327 $aPreliminary Material -- Veluti in Speculum (As in a Looking Glass) -- The Mirror in the Middle: Mme de Thémines?s Letter in Lafayette?s La Princesse de Clèves -- The Prévan Cycle as Pre-Text in Laclos?s Les Liaisons dangereuses -- The Frame and the Framed: Mirroring Texts in Balzac?s Facino Cane -- Barbey d?Aurevilly?s Une Page d?histoire: Incest as Mirror Image -- Reversals and Disappearance: Georges Rodenbach?s L?Ami des miroirs and Bruges-la-morte -- Man Mirrors Toad, or Vice-Versa: Decadent Narcissism in Jean Lorrain?s Oeuvre -- The Wheel of Fortune as Mirror: André Pieyre de Mandiargues?s La Motocyclette -- Kaleidoscopic Reflections in Guise of a Conclusion: Close, Maupassant, Douglas, and Borges. 330 $aMirrors are mesmerizing. The rhetorical figure that represents a mirror is called a chiasmus , a pattern derived from the Greek letter X (Chi). This pattern applies to sentences such as ?one does not live to eat ; one eats to live .? It is found in myths, plays, poems, biblical songs, short stories, novels, epics. Numerous studies have dealt with repetition, difference, and Narcissism in the fields of literature, music, and art. But mirror structures, per se , have not received systematic notice. This book analyses mirror imagery, scenes, and characters in French prose texts, in chronological order, from the 17th to the 20th centuries. It does so in light of literal, metaphoric, and rhetorical structures. Works analysed in the traditional French canon, written by such writers as Laclos, Lafayette, and Balzac, are extended by studies of texts composed by Barbey d?Aurevilly, Georges Rodenbach, Jean Lorrain, and Pieyre de Mandiargues. This work appeals to readers interested in linguistics, French history, psychology, art, and material culture. It invites analyses of historical and ideological contexts, rhetorical strategies, symmetry and asymmetry. Ovid?s Narcissus and Alice in Wonderland are paradigms for the study of micro and macro-structures. Analyses of mirrors as cultural artefacts are significant to Lowrie?s sight seeing . 410 0$aAt the interface/probing the boundaries ;$vv. 54. 410 0$aAt the interface/probing the boundaries.$pVisual literacies. 606 $aChiasmus 606 $aFrench literature$xHistory and criticism 606 $aFrench language$xRhetoric 606 $aFrench language$xStyle 606 $aSymmetry in literature 615 0$aChiasmus. 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench language$xRhetoric. 615 0$aFrench language$xStyle. 615 0$aSymmetry in literature. 676 $a840.9 700 $aLowrie$b Joyce O$01835280 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969554403321 996 $aSightings$94411764 997 $aUNINA