LEADER 03808oam 2200685I 450 001 9910964919103321 005 20251116155945.0 010 $a0-203-08126-9 010 $a1-283-89426-2 010 $a1-136-17255-6 024 7 $a10.4324/9780203081266 035 $a(CKB)2550000000710857 035 $a(EBL)1101410 035 $a(OCoLC)823389768 035 $a(SSID)ssj0000786966 035 $a(PQKBManifestationID)11503706 035 $a(PQKBTitleCode)TC0000786966 035 $a(PQKBWorkID)10803136 035 $a(PQKB)10516579 035 $a(MiAaPQ)EBC1101410 035 $a(Au-PeEL)EBL1101410 035 $a(CaPaEBR)ebr10640540 035 $a(CaONFJC)MIL420676 035 $a(OCoLC)823040718 035 $a(FINmELB)ELB133875 035 $a(EXLCZ)992550000000710857 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComedy and the public sphere $ethe rebirth of theatre as comedy and the genealogy of the modern public arena /$fArpad Szakolczai 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (377 p.) 225 1 $aRoutledge studies in social and political thought ;$v77 225 0$aRoutledge studies in social and political thought ;$v77 300 $aDescription based upon print version of record. 311 08$a1-138-92066-5 311 08$a0-415-62391-X 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion. 330 $aThe book aims at reframing the discussion on the ""public sphere,"" usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. 410 0$aRoutledge Studies in Social and Political Thought 606 $aTheater$zEurope$xHistory 606 $aTheater and society$zEurope$xHistory 606 $aComedy 615 0$aTheater$xHistory. 615 0$aTheater and society$xHistory. 615 0$aComedy. 676 $a792.094 700 $aSzakolczai$b Arpad.$0123643 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964919103321 996 $aComedy and the public sphere$94482523 997 $aUNINA LEADER 03132nam 22007094a 450 001 9910969548103321 005 20251117004027.0 010 $a0-8018-9202-3 010 $a1-4356-9215-2 035 $a(CKB)1000000000720509 035 $a(OCoLC)654865377 035 $a(CaPaEBR)ebrary10256373 035 $a(SSID)ssj0000485684 035 $a(PQKBManifestationID)11347160 035 $a(PQKBTitleCode)TC0000485684 035 $a(PQKBWorkID)10604822 035 $a(PQKB)10306909 035 $a(OCoLC)868198365 035 $a(MdBmJHUP)muse2613 035 $a(Au-PeEL)EBL3318370 035 $a(CaPaEBR)ebr10256373 035 $a(OCoLC)923192989 035 $a(MiAaPQ)EBC3318370 035 $a(MiAaPQ)EBC30378428 035 $a(Au-PeEL)EBL30378428 035 $a(OCoLC)1564373737 035 $a(EXLCZ)991000000000720509 100 $a20060511d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMachiavelli in love $esex, self, and society in the Italian Renaissance /$fGuido Ruggiero 205 $a1st ed. 210 $aBaltimore $cJohns Hopkins University Press$d2007 215 $a1 online resource (298 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-8018-9835-8 311 08$a0-8018-8516-7 320 $aIncludes bibliographical references (p. [261]-278) and index. 327 $aIntro -- Contents -- Acknowledgments -- Introduction -- 1 Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco's Boy Bride -- 2 Playing with the Devil: The Pleasures and Dangers of Sex and Play -- 3 The Abbot's Concubine: Renaissance Lies, Literature, and Power -- 4 Brunelleschi's First Masterpiece, or Mean Streets, Familiar Streets, Masculine Spaces, and Identity in Renaissance Florence -- 5 Machiavelli in Love: The Self-Presentation of an Aging Lover -- 6 Death and Resurrection and the Regime of Virtù, or Of Princes, Lovers, and Prickly Pears -- Afterword. How Machiavelli Put the Devil Back in Hell -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z. 330 $aRuggiero's challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time. 606 $aSex customs$zItaly$xHistory 606 $aRenaissance$zItaly 606 $aSex$xSocial aspects$zItaly$xHistory 606 $aSex role$zItaly$xHistory 606 $aSex in literature 615 0$aSex customs$xHistory. 615 0$aRenaissance 615 0$aSex$xSocial aspects$xHistory. 615 0$aSex role$xHistory. 615 0$aSex in literature. 676 $a306.70945/09024 700 $aRuggiero$b Guido$f1944-$01690211 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969548103321 996 $aMachiavelli in love$94525568 997 $aUNINA