LEADER 00836nam0-2200277 --450 001 9910914500203321 005 20241211143955.0 010 $a9791259769954 100 $a20241211d2024----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aDiritto canonico digitale$fRaffaele Santoro, Paolo Palumbo, Federico Gravino 210 $aNapoli$cEditoriale scientifica$dİ2024 215 $aXII, 448 p.$d21 cm 676 $a262.9$v23$zita 700 1$aSantoro,$bRaffaele$0155385 701 1$aPalumbo,$bPaolo$f<1980- >$01276710 701 1$aGravino,$bFederico$f<1986- >$01777512 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910914500203321 952 $aIII C 152$b2024/1820$fFGBC 959 $aFGBC 996 $aDiritto canonico digitale$94298693 997 $aUNINA LEADER 02631nam 2200505Ia 450 001 9910969158603321 005 20251116153427.0 010 0 $a9780195353815 010 0 $a0195353811 035 $a(MiAaPQ)EBC7036170 035 $a(CKB)24235100900041 035 $a(MiAaPQ)EBC271452 035 $a(MiAaPQ)EBC3052064 035 $a(Au-PeEL)EBL3052064 035 $a(CaPaEBR)ebr10142332 035 $a(CaONFJC)MIL47014 035 $a(OCoLC)922952756 035 $a(Au-PeEL)EBL7036170 035 $a(OCoLC)819509888 035 $a(Au-PeEL)EBL271452 035 $a(OCoLC)826492286 035 $a(EXLCZ)9924235100900041 100 $a19980223d1999 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFantasy pieces $emetrical dissonance in the music of Robert Schumann /$fHarald Krebs 205 $a1st ed. 210 $aNew York $cOxford University Press$d1999 215 $axiv, 290 p. $cmusic 320 $aIncludes bibliographical references (p. 275-281), glossary, list of cited works, and index. 327 $aNineteenth- and twentieth-century theories of metrical conflict -- Metrical consonance and dissonance : definitions and taxonomy -- Intermezzo I: Influences on Schumann's metrical style -- Metrical progressions and processes -- Intermezzo II: Metrical revisions -- Interactions of metrical dissonance with pitch structure, form, nd extramusical elements -- Intermezzo III: Performing metrical dissonances -- Carnaval des analyses -- Epilogue: Morning song. 330 $aThis book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices. 606 $aMusical meter and rhythm 615 0$aMusical meter and rhythm. 676 $a781.2/26/092 700 $aKrebs$b Harald$f1955-$01860315 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910969158603321 996 $aFantasy pieces$94465092 997 $aUNINA