LEADER 03591nam 2200649Ia 450 001 9910969098603321 005 20200520144314.0 010 $a9780252091322 010 $a0252091329 035 $a(CKB)2670000000368601 035 $a(EBL)3414254 035 $a(SSID)ssj0001051722 035 $a(PQKBManifestationID)11557628 035 $a(PQKBTitleCode)TC0001051722 035 $a(PQKBWorkID)11075189 035 $a(PQKB)10330170 035 $a(OCoLC)1097099075$z(OCoLC)844430476$z(OCoLC)849920146$z(OCoLC)923497450$z(OCoLC)961597662$z(OCoLC)962701912$z(OCoLC)1058188698$z(OCoLC)1058742583$z(OCoLC)1124347675 035 $a(OCoLC)on1097099075 035 $a(MdBmJHUP)muse25209 035 $a(Au-PeEL)EBL3414254 035 $a(CaPaEBR)ebr10713084 035 $a(CaONFJC)MIL492305 035 $a(OCoLC)923497450 035 $a(MiAaPQ)EBC3414254 035 $a(Perlego)2382810 035 $a(EXLCZ)992670000000368601 100 $a20111102d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPassing for Spain $eCervantes and the fictions of identity /$fBarbara Fucha 205 $a1st ed. 210 $aUrbana $cUniversity of Illinois Press$dc2003 215 $a1 online resource (161 p.) 225 0 $aHispanisms 300 $aDescription based upon print version of record. 311 08$a9780252027819 311 08$a0252027817 320 $aIncludes bibliographical references and index. 327 $aPassing and the fictions of Spanish identity -- Border crossings : transvestism and "passing" in Don Quijote -- Empire unmanned : gender trouble and genoese gold in "Las dos doncellas" -- Passing pleasures : costume and custom in "el amante liberal" and La gran sultana -- La disimulacio?n es provechosa : the critique of transparency in the Persiles and "La espan?ola inglesa". 330 8 $aPassing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin.In five lucid and engaging chapters, Fuchs examines what passes in Cervantes's fiction: gender and race in Don Quijote and "Las dos doncellas"; religion in "El amante liberal" and La gran sultana; national identity in the Persiles and "La espan?ola inglesa." She argues that Cervantes represents cross-cultural impersonation -- or characters who pass for another gender, nationality, or religion -- as challenges to the state's attempts to assign identities and categories to proper Spanish subjects.Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes's representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference. 410 0$aHispanisms 606 $aPassing (Identity) in literature 606 $aGender identity in literature 615 0$aPassing (Identity) in literature. 615 0$aGender identity in literature. 676 $a863/.3 700 $aFucha$b Barbara$01810315 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910969098603321 996 $aPassing for Spain$94361612 997 $aUNINA