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010   $a9786612269523
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101 0 $aeng
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200 10$aHow to make dances in an epidemic $etracking choreography in the age of AIDS /$fDavid Gere
205   $a1st ed.
210   $aMadison, Wis. $cUniversity of Wisconsin Press$dc2004
215   $a1 online resource (357 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a9780299200800 
311 08$a0299200809 
320   $aIncludes bibliographical references (p. 312-332) and index.
327   $aIntroduction -- Blood and sweat -- Melancholia and fetishes -- Monuments and insurgencies -- Corpses and ghosts -- Transcendence and eroticism -- Epilogue.
330 8 $aDavid Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings. 
606   $aHomosexuality in dance
606   $aHomosexuality and dance$zUnited States
606   $aDance$xSocial aspects$zUnited States
606   $aDance criticism$zUnited States
615  0$aHomosexuality in dance.
615  0$aHomosexuality and dance
615  0$aDance$xSocial aspects
615  0$aDance criticism
676   $a306.4/84
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906   $aBOOK
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996   $aHow to make dances in an epidemic$92806349
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