LEADER 00958cam0 22002531 450 001 SOBE00016415 005 20170518143237.0 010 $a8889804041 100 $a20110714d2006 |||||ita|0103 ba 101 $aeng 102 $aIT 200 1 $a<>linguistics of academic worth$ecredit-giving and evaluation in written academic discourse$fDavide Simone Giannoni 210 $aBergamo$cCELSB$d2006 215 $a138 p.$d23 cm 700 1$aGiannoni$b, Davide Simone$3SOBA00000461$4070$0476906 801 0$aIT$bUNISOB$c20170518$gRICA 850 $aUNISOB 852 $aUNISOB$jFondo|Corrado$m153193 912 $aSOBE00016415 940 $aM 102 Monografia moderna SBN 941 $aM 957 $aFondo|Corrado$b000208$gSI$d153193$hCorrado$rdono$tN$1menle$2UNISOB$3UNISOB$420110714085356.0$520170518143237.0$6catenacci$fModalità di consultazione vedi home page Biblioteca link Fondi 996 $aLinguistics of academic worth$91722019 997 $aUNISOB LEADER 03365nam 22007212 450 001 9910968448903321 005 20151005020622.0 010 $a1-107-20027-X 010 $a1-282-05875-4 010 $a0-511-50797-6 010 $a9786612058752 010 $a0-511-57640-4 010 $a0-511-50863-8 010 $a0-511-50512-4 010 $a0-511-50929-4 010 $a0-511-50726-7 035 $a(CKB)1000000000719151 035 $a(EBL)424646 035 $a(OCoLC)476265053 035 $a(SSID)ssj0000157208 035 $a(PQKBManifestationID)11155054 035 $a(PQKBTitleCode)TC0000157208 035 $a(PQKBWorkID)10130448 035 $a(PQKB)11508285 035 $a(UkCbUP)CR9780511576409 035 $a(MiAaPQ)EBC424646 035 $a(Au-PeEL)EBL424646 035 $a(CaPaEBR)ebr10289372 035 $a(CaONFJC)MIL205875 035 $a(EXLCZ)991000000000719151 100 $a20090522d2009|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aForm, program, and metaphor in the music of Berlioz /$fStephen Rodgers 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2009. 215 $a1 online resource (x, 189 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a1-107-40468-1 311 08$a0-521-88404-7 320 $aIncludes bibliographical references (p. [173]-183) and index. 327 $aIntroduction -- Preliminary examples and recent theories -- Form as metaphor -- Mixing genres, mixing forms : sonata and song in Le carnaval romain -- The vague des passions, monomania, and the first movement of the Symphonie fantastique -- Love's emergence and fulfillment : the Sce?ne d'amour from Rome?o et Juliette -- Epilogue. 330 $aFew aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly. 517 3 $aForm, Program, & Metaphor in the Music of Berlioz 606 $aMusical form 606 $aMetaphor 606 $aMusic$xPhilosophy and aesthetics 606 $aProgram music 615 0$aMusical form. 615 0$aMetaphor. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aProgram music. 676 $a780.92 700 $aRodgers$b Stephen$f1974-$01844186 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910968448903321 996 $aForm, program, and metaphor in the music of Berlioz$94426453 997 $aUNINA