LEADER 02374oam 2200601I 450 001 9910968445103321 005 20251117085453.0 010 $a1-135-87017-9 010 $a0-367-08960-2 010 $a1-315-05993-2 024 7 $a10.4324/9781315059938 035 $a(CKB)3710000000965607 035 $a(MiAaPQ)EBC4758229 035 $a(Au-PeEL)EBL4758229 035 $a(CaPaEBR)ebr11310429 035 $a(CaONFJC)MIL975396 035 $a(OCoLC)965778960 035 $a(OCoLC)965444306 035 $a(FINmELB)ELB135549 035 $a(BIP)63391602 035 $a(BIP)7823711 035 $a(EXLCZ)993710000000965607 100 $a20130331e20031997 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDuologues for all accents and ages /$fEamonn Jones, Jean Marlow 205 $a1st ed. 210 1$aNew York ;$aLondon :$cRoutledge,$d2003. 215 $a1 online resource (177 pages) 300 $a"First published in 1997 by A & C Black Publishers Limited"--t.p. verso. 311 08$a0-87830-168-2 311 08$a1-135-87010-1 327 $aIn your own time -- Advice on some of the selections -- The duologues. 330 $aThis is a volume of scenes for two characters, hence duologues. The authors have selected meaty scenes from major plays, as well as from a few wonderful ones not well known. Here Jack and Algernon in The Importance of Being Earnest, Yvan and Marc in Art, Cecile and the Marquise de Merteuil in Les Liaisons Dangereuses, Mozart and Constanze in Amadeus, as well as two-character scenes from The Killing of Sister George, Kindertransport, The Crucible, and dozens of other works. Duologues provide a concentrated way of practicing skills and encourage actors to listen and respond. Helpful advice is given in the book by contributors such as Tom Stoppard, April De Angelis and Don Taylor. 606 $aDialogues 606 $aActing 606 $aDrama 615 0$aDialogues. 615 0$aActing. 615 0$aDrama. 676 $a822.008 700 $aJones$b Eamonn.$01872536 701 $aMarlow$b Jean$01872537 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910968445103321 996 $aDuologues for all accents and ages$94481731 997 $aUNINA