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010   $a9786613358547
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100   $a19920316d1992      uy         0
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aLorca, una escritura en trance $eLibro de poemas y Divan del Tamarit /$fCandelas Newton
205   $a1st ed.
210   $aAmsterdam ;$aPhiladelphia $cJ. Benjamins Pub.$d1992
215   $a1 online resource (261 p.)
225 1 $aPurdue University monographs in Romance languages,$x0165-8743 ;$vv. 40
300   $aDescription based upon print version of record.
311 08$a1-55619-308-4 
311 08$a90-272-1765-3 
320   $aIncludes bibliographical references (p. [233]-239) and index.
327   $apt. 1. Libro de poemas -- pt. 2. Divan del Tamarit.
330   $aLorca's poetry is founded upon a complex symbolical system of recurring motifs. This book analyses a number of those motifs as poetic signs through a contextual reading of Libro de poemas (1921) and Diva?n del Tamarit (1940) as the initial and final stages of Lorca's career. The sexual and religious crisis voiced in Libro de poemas achieves poetic articulation through the sign of the star, while the betrayal of childhood's fairytale is evidenced in the sign of the moon. Diva?n del Tamarit exemplifies the trancelike writing of the poetry of "opening up one's veins" as 
410  0$aPurdue University monographs in Romance languages ;$vv. 40.
606   $aLITERARY CRITICISM / General$2bisacsh
615  7$aLITERARY CRITICISM / General.
676   $a861/.62
700   $aNewton$b Candelas$01816987
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910968406803321
996   $aLorca, una escritura en trance$94374254
997   $aUNINA