LEADER 03852nam 2200613Ia 450 001 9910968310703321 005 20200520144314.0 010 $a9786612162428 010 $a9781282162426 010 $a128216242X 010 $a9789027298089 010 $a9027298084 024 7 $a10.1075/pbns.91 035 $a(CKB)1000000000554075 035 $a(OCoLC)70769045 035 $a(CaPaEBR)ebrary5004964 035 $a(MiAaPQ)EBC623135 035 $a(DE-B1597)720812 035 $a(DE-B1597)9789027298089 035 $a(EXLCZ)991000000000554075 100 $a20010329d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSpeaking in other voices $ean ethnography of Walloon puppet theaters /$fJoan Gross 205 $a1st ed. 210 $aAmsterdam, Netherlands ;$aPhiladelphia $cJohn Benjamins$dc2001 215 $a1 online resource (369 p.) 225 1 $aPragmatics & beyond,$x0922-842X ;$vnew ser. 91 311 08$a9781588110541 311 08$a1588110540 311 08$a9789027251107 311 08$a902725110X 320 $aIncludes bibliographical references (p. [297]-315) and index. 327 $aSPEAKING IN OTHER VOICES -- Editorial page -- Title page -- LCC data -- Dedication -- Table of Contents -- List of Photographs -- List of charts and excerpts from scripts, performances and Walloon literature -- Preface -- Acknowledgements -- CHAPTER 1: Introduction -- CHAPTER 2: Heteroglossia in Liège -- CHAPTER 3: Class and Culture in 19th Century Liège and the Rise of the Puppet Theater -- CHAPTER 4: Manipulations and Transformations -- CHAPTER 5: Past Voices in the Present and the Practice of Puppetry -- CHAPTER 6: Entextualization / Intertextuality -- CHAPTER 7: Closing Intertextual Gaps -- CHAPTER 8: Embodying Identities -- CHAPTER 9: Religion and War -- CHAPTER 10: The World of Puppets, The World of Puppeteers: Politics in Performance -- Conclusion -- Notes -- Appendix 1: Decallais Collection -- List of Published References -- Archival Sources -- Index -- The PRAGMATICS AND BEYOND NEW SERIES. 330 $aLinking actual instances of language use with structures of social power in francophone Belgium, Gross outlines the history and contemporary configuration of rod puppetry in Liège. The analysis of this working classperformance art moves between what occurs on and off stage. As puppeteers speak in other voices, sometimes in Walloon and sometimes in French, they create a sociolinguistic model based on 19th century renditions of medieval texts, the voices of past puppeteers, and the language that surrounds them. The high level of linguistic reflexivity created by the regional language movement has led to frequent metalinguistic and metapragmatic commentaries within the puppet shows. This complex speech genre embedded in social context shows the influence of identity struggles: from local class oppositions to imperial designs abroad. Keeping a tight focus on language, Speaking in Other Voices examines the process of entextualization and recontextualization as stories of war and religion are transmitted to succeeding generations. 410 0$aPragmatics & beyond ;$vnew ser. 91. 606 $aPuppet theater$zBelgium$zWallonia$xHistory 606 $aPuppet theater$zBelgium$zLiege$xHistory 606 $aPuppet plays, French$zBelgium$zWallonia$xHistory and criticism 615 0$aPuppet theater$xHistory. 615 0$aPuppet theater$xHistory. 615 0$aPuppet plays, French$xHistory and criticism. 676 $a791.5/3/094934 700 $aGross$b Joan$01799869 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910968310703321 996 $aSpeaking in other voices$94344286 997 $aUNINA