LEADER 03753nam 22006854a 450 001 9910968259303321 005 20251007135303.0 010 $a9780822343202 010 $a0822343207 024 7 $a10.1515/9780822389224 035 $a(CKB)2440000000014199 035 $a(EBL)1169853 035 $a(OCoLC)320536070 035 $a(SSID)ssj0000390570 035 $a(PQKBManifestationID)12109785 035 $a(PQKBTitleCode)TC0000390570 035 $a(PQKBWorkID)10450371 035 $a(PQKB)11650285 035 $a320536070 035 $a(MiAaPQ)EBC1169853 035 $a(DE-B1597)553547 035 $a(DE-B1597)9780822389224 035 $a(OCoLC)1136338158 035 $a(Perlego)1458066 035 $a(EXLCZ)992440000000014199 100 $a20090508d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBig ears $elistening for gender in jazz studies /$fedited by Nichole Rustin and Sherrie Tucker 210 $aDurham $cDuke University Press$d2008 215 $a1 online resource (474 p.) 225 1 $aRefiguring American music 300 $aDescription based upon print version of record. 311 08$a9780822389224 311 08$a0822389223 311 08$a9780822343363 311 08$a0822343363 320 $aIncludes bibliographical references and index. 327 $aPART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee 330 $aCollection of essays on the role of gender in jazz studies. 410 0$aRefiguring American music. 410 0$ae-Duke books scholarly collection. 606 $aJazz$xHistory and criticism 606 $aJazz$xSocial aspects 615 0$aJazz$xHistory and criticism. 615 0$aJazz$xSocial aspects. 676 $a781.65082 676 $a781.65082 701 $aRustin-Paschal$b Nichole$01872133 701 $aTucker$b Sherrie$f1957-$01804857 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910968259303321 996 $aBig ears$94481181 997 $aUNINA