LEADER 04541nam 2200661 450 001 9910810111203321 005 20200520144314.0 010 $a0-292-75298-9 024 7 $a10.7560/752979 035 $a(CKB)3710000000072203 035 $a(EBL)3443706 035 $a(SSID)ssj0001062086 035 $a(PQKBManifestationID)11674945 035 $a(PQKBTitleCode)TC0001062086 035 $a(PQKBWorkID)11131095 035 $a(PQKB)10424032 035 $a(Au-PeEL)EBL3443706 035 $a(CaPaEBR)ebr10803246 035 $a(OCoLC)864100133 035 $a(MiAaPQ)EBC3443706 035 $a(DE-B1597)587354 035 $a(DE-B1597)9780292752986 035 $a(EXLCZ)993710000000072203 100 $a20130214d2014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCurating at the edge $eartists respond to the U.S./Mexico border /$fKate Bonansinga ; foreword by Lucy Lippard 205 $aFirst edition. 210 1$aAustin :$cUniversity of Texas Press,$d2014. 215 $a1 online resource (296 p.) 225 0$aWilliam & Bettye Nowlin series in art, history, and culture of the Western Hemisphere 300 $aDescription based upon print version of record. 311 $a0-292-75297-0 320 $aIncludes bibliographical references and index. 327 $a""Contents ""; ""Foreword: Curating on the Cutting Edge by Lucy R. Lippard""; ""Introduction: Texas, Mexico, Bhutan, and the Origins of the Rubin""; ""1. Alejandro Almanza Pereda: Just Give Me a Place to Stand, 2004""; ""2. Marcos Rami?rez ERRE: To Whom It May Concern, War Notes, 2005 ""; ""3. SIMPARCH: Hydromancy, 2007""; ""4. Adrian Esparza: Unknitting: Challenging Textile Traditions, 2008""; ""5. Nicola Lopez, Noah MacDonald, Julio Ce?sar Morales, Leo Villareal, and Vargas Suarez UNIVERSAL: Claiming Space: Mexican Americans in U.S. Cities 2008""; ""6. Liz Cohen: No Room for Bagg age, 2008"" 330 $aLocated less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin?s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of ?border art? or Chicano art. Instead, Bonansinga captures the creative climate of 2004?2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin?s location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists? working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences. 410 0$aWilliam and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere 606 $aArtists and museums$zMexican-American Border Region 606 $aArt museum curators$zMexican-American Border Region 606 $aArt museums and community$zMexican-American Border Region 606 $aArt and society$zMexican-American Border Region$xHistory$y21st century 615 0$aArtists and museums 615 0$aArt museum curators 615 0$aArt museums and community 615 0$aArt and society$xHistory 676 $a707.5 700 $aBonansinga$b Kate$01694019 701 $aLippard$b Lucy R$0216956 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810111203321 996 $aCurating at the edge$94072246 997 $aUNINA LEADER 03516nam 2200649Ia 450 001 9910968097503321 005 20200520144314.0 010 $a9786612351808 010 $a9786612088537 010 $a9781282351806 010 $a128235180X 010 $a9780300155945 010 $a0300155948 010 $a9781282088535 010 $a128208853X 024 7 $a10.12987/9780300155945 035 $a(CKB)1000000000764773 035 $a(OCoLC)379478021 035 $a(CaPaEBR)ebrary10348509 035 $a(SSID)ssj0000186846 035 $a(PQKBManifestationID)11174749 035 $a(PQKBTitleCode)TC0000186846 035 $a(PQKBWorkID)10253174 035 $a(PQKB)11328116 035 $a(MiAaPQ)EBC3420612 035 $a(DE-B1597)485878 035 $a(DE-B1597)9780300155945 035 $a(Perlego)1161420 035 $a(EXLCZ)991000000000764773 100 $a20080916d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aKander and Ebb /$fJames Leve ; with a foreword by Geoffrey Block, general editor 205 $a1st ed. 210 $aNew Haven $cYale University Press$d2009 215 $a1 online resource (383 p.) 225 0 $aYale Broadway Masters Series 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780300114874 311 08$a0300114877 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tForeword -- $tAcknowledgments -- $tIntroduction -- $tCHAPTER 1. Forty-Two Years of Musicals -- $tCHAPTER 2. The Divinely Decadent Lives of Cabaret -- $tCHAPTER 3. Chicago Broadway to Hollywood -- $tCHAPTER 4. Fred Without John and John Without Fred -- $tCHAPTER 5. Kiss of the Spider Woman: Sex, Politics, and the Diva Musical -- $tCHAPTER 6. Flops and Second Chances: Flora, the Red Menace; The Happy Time; Zorbá; 70, Girls, 70; The Rink; and Steel Pier -- $tCHAPTER 7. Divas or Anti-Divas? The Act and The Woman of the Year -- $tCHAPTER 8. Musicals Abandoned and Imagined -- $tCHAPTER 9. "A Tough Act to Follow": Curtains and Three New Shows -- $tAppendix -- $tNotes -- $tIndex -- $tCredits 330 $aComposer John Kander and lyricist Fred Ebb collaborated for more than forty years, longer than any such partnership in Broadway history. Together they wrote over twenty musicals. Their two most successful works, Cabaret and Chicago, had critically acclaimed Broadway revivals and were made into Oscar-winning films. This book, the first study of Kander and Ebb, examines their artistic accomplishments as individuals and as a team. Drawing on personal papers and on numerous interviews, James Leve analyzes the unique nature of this collaboration. Leve discusses their contribution to the concept musical; he examines some of their most popular works including Cabaret, Chicago, and Kiss of the Spider Woman; and he reassesses their "flops" as well as their incomplete and abandoned projects. Filled with fascinating information, the book is a resource for students of musical theater and lovers of Kander and Ebb's songs and shows. 606 $aMusicals$zUnited States$y20th century$xHistory and criticism 615 0$aMusicals$xHistory and criticism. 676 $a782.1/40922 700 $aLeve$b James$01811992 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910968097503321 996 $aKander and Ebb$94364206 997 $aUNINA