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101 0 $aeng
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLolita between Adaptation and Interpretation $eFrom Nabokov's Novel and Screenplay to Kubrick's Film /$fby Anna Pili?ska
210  1$aNewcastle-upon-Tyne :$cCambridge Scholars Publishing,$d2015.
215   $a1 online resource (152 pages)
300   $aDescription based upon print version of record.
311 08$a1-4438-8049-3 
327   $aAcknowledgements -- Abbreviations -- Introduction -- Chapter One The Plot on Paper: The Nabokovian Nymphet & Co. -- Chapter Two The Plot on Screen: The Kubrickian Kitten & Co. -- Chapter Three The Handling of the Characters -- Chapter Four The Postmodern Game: The Problem of Intertextuality -- Conclusions -- Notes -- Bibliography
330   $aThis book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtraction
676   $a813/.54
700   $aPilinska$b Anna$01863079
701   $aNabokov$b Vladimir Vladimirovich$f1899-1977.?$0132657
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910967727303321
996   $aLolita between Adaptation and Interpretation$94475981
997   $aUNINA