LEADER 03636nam 22006851 450 001 9910967582503321 005 20200514202323.0 010 $a9781472545800 010 $a147254580X 010 $a9781283950671 010 $a1283950677 010 $a9781441130679 010 $a1441130675 024 7 $a10.5040/9781472545800 035 $a(CKB)2670000000327135 035 $a(EBL)1113773 035 $a(OCoLC)827209791 035 $a(SSID)ssj0000832413 035 $a(PQKBManifestationID)12426055 035 $a(PQKBTitleCode)TC0000832413 035 $a(PQKBWorkID)10899783 035 $a(PQKB)11716505 035 $a(MiAaPQ)EBC1113773 035 $a(OCoLC)824698462 035 $a(UtOrBLW)bpp09255617 035 $a(UtOrBLW)BP9781472545800BC 035 $a(EXLCZ)992670000000327135 100 $a20140929d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPhenomenologies of art and vision $ea post-analytic turn /$fPaul Crowther 210 1$aNew York :$cContinuum International Publishing Group,$d2013. 215 $a1 online resource (209 p.) 225 1 $aBloomsbury Studies in Philosophy 300 $aDescription based upon print version of record. 311 08$a9781472579652 311 08$a1472579658 311 08$a9781441119735 311 08$a1441119736 320 $aIncludes bibliographical references and index. 327 $aPainting as an art: Wollheim and the subjective dimension -- Abstract art and transperceptual space: Wolheim, and beyond -- Truth in art: Heidegger against contextualism -- Space, place, and sculpture: Heidegger's pathways -- Vision in being: Merleau-Ponty and the depths of painting -- Subjectivity, the gaze, and the picture: developing Lacan -- Dimensions in time: Dufrenne's phenomenology of pictorial art -- Conclusion: a preface to post-analytic phenomenology. 330 8 $aContemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. But to sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art 410 0$aBloomsbury Studies in Philosophy 606 $aArt$xPhilosophy 606 $aPhenomenology and art 606 $2Philosophy: aesthetics 615 0$aArt$xPhilosophy. 615 0$aPhenomenology and art. 676 $a701/.17 700 $aCrowther$b Paul$0170369 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910967582503321 996 $aPhenomenologies of art and vision$94340932 997 $aUNINA