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100   $a20010404d2001      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aGesture, gender, nation $edance and social change in Uzbekistan /$fMary Masayo Doi
205   $a1st ed.
210   $aWestport, Conn. $cBergin & Garvey$d2001
215   $a1 online resource (xii, 151 pages) $cillustrations
311 0 $a9780897898256 
311 0 $a0897898257 
320   $aIncludes bibliographical references and index.
327   $aPreliminaries; Acknowledgments; Note on Transliteration; Contents; Introduction; 1 Gender Kinship and Nationalism; 2 Taboo Breakers The Early Soviet Years 1924 1942; 3 The War Years: "We Made Dance a Beautiful Diamond" circa 1943 1953; 4 From Genealogical to Generic circa 1954 1990; 5 Independence 1991 1994; Conclusion It Is We Who Own Uzbekistan Now; Further Reading; References; Index
330   $aThe national dancers in Uzbekistan are almost always female. This work argues that dancers, as symbolic ""girls"" or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state.
606   $aDance$xSocial aspects$zUzbekistan
606   $aWomen$zUzbekistan$xSocial conditions
607   $aUzbekistan$xSocial conditions$y20th century
615  0$aDance$xSocial aspects
615  0$aWomen$xSocial conditions.
676   $a306.4/84
700   $aDoi$b Mary Masayo$01811526
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910967561103321
996   $aGesture, gender, nation$94363440
997   $aUNINA