LEADER 05376nam 2200769Ia 450 001 9910967410703321 005 20210730111955.0 010 $a9786612876462 010 $a9781501382796 010 $a1501382799 010 $a9781282876460 010 $a1282876465 010 $a9781441183071 010 $a1441183078 024 7 $a10.5040/9781501382796 035 $a(CKB)2670000000056242 035 $a(EBL)601811 035 $a(OCoLC)676700640 035 $a(SSID)ssj0000420398 035 $a(PQKBManifestationID)11264850 035 $a(PQKBTitleCode)TC0000420398 035 $a(PQKBWorkID)10393235 035 $a(PQKB)11161093 035 $a(Au-PeEL)EBL601811 035 $a(CaPaEBR)ebr10427093 035 $a(CaONFJC)MIL287646 035 $a(OCoLC)893335199 035 $a(MiAaPQ)EBC601811 035 $a(OCoLC)1263823011 035 $a(UkLoBP)BP9781501382796BC 035 $a(CaBNVSL)9781501382796 035 $a(Perlego)818293 035 $a(CaBNVSL)BP9781501382796BC 035 $a(EXLCZ)992670000000056242 100 $a20230322e20212023 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aIn the blink of an ear $etoward a non-cochlear sonic art /$fSeth Kim-Cohen 205 $a1st ed. 210 1$aLondon :$cBloomsbury Academic,$d2021. 210 2$aLondon :$cBloomsbury Publishing,$d2023. 215 $a1 online resource (292 pages) 300 $aDescription based upon print version of record. 311 08$a9780826429704 311 08$a082642970X 311 08$a9780826429711 311 08$a0826429718 320 $aIncludes bibliographical references and index. 327 $aIntroduction. At, out, about -- In one ear, out the other : Clement Greenberg, Pierre Schaeffer, John Cage, Muddy Waters -- Be more specific : Clement Greenberg, Michael Fried, Robert Morris -- The perception of primacy : Annette Michelson, Robert Morris, Charles Sanders Peirce, Maurice Merleau-Ponty, Rosalind Krauss, Jacques Derrida -- Ohrenblick : Marshall McLuhan, Friedrich Kittler, Jacques Attali, Christina Kubisch -- Sound-in-itself : Francisco Lo?pez, Stephen Vitiello, Jacob Kirkegaard, La Monte Young, James Snead, Sam Phillips -- Unhearing Cage : Rosalind Krauss, John Cage, Robert Rauschenberg, George Brecht -- Sound-out-of-itself : Luc Ferrari, Alvin Lucier, Bob Dylan -- A dot on a line : Bruce Nauman, VALIE EXPORT, Jean-Franc?ois Lyotard, Douglas Kahn, Janet Cardiff, Jarrod Fowler, Marina Rosenfeld, Nicolas Bourriaud -- Conclusion. Lend an ear. 330 $a
An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itselfor as the unwanted child of musicartist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean Franc?ois Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. Artists discussed include: 
George Brecht John Cage Janet Cardiff Marcel Duchamp Bob Dylan Valie Export Luc Ferrari Jarrod Fowler Jacob Kirkegaard Alvin Lucier Robert Morris Muddy Waters John Oswald Marina Rosenfeld Pierre Schaeffer Stephen Vitiello La Monte Young
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