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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBlue heron $epoems /$fElizabeth Robinson
205   $a1st ed.
210   $aFort Collins, Colo. $cCenter for Literary Publishing/Colorado State University$d2013
215   $a1 online resource (97 p.)
225  0$aMountain west poetry series
300   $aDescription based upon print version of record.
311 08$a9781885635297 
311 08$a188563529X 
327   $a""Cover""; ""Contents""; ""Lynx rufus""; ""Cherimoya""; ""Quarry""; ""The Hinge Trees""; ""Blue Heron""; ""Hibernaculum""; ""On Monsters""; ""Acknowledgements""
330 8 $aThe poems in Blue Heron delineate a passage through grief and change. Here, personal loss is continuous with threats to other species and landscapes. In response, Robinson has uprooted the terrain of language, "what / bestows itself from / the almost-invisible / and its stain." If these uprootings are casualties of a poetics seeking to redress imbalance and "pollution, " then they are also opportunities to rethink what can exist in the field of poetic language as "roots also quicken, bruise their plural pronouns, lose tune, / forsake terrain by moving through and on it." And so Blue Heron links poetic process with organic process, presence with the gap we know as hauntedness. The page is not only a resonant physical field, but also a site of dialogue between human and landscape, between lack and manifestation. If these poems constitute a poetics of loss, they are equally a movement toward a poetics of openness, risk, and renewed balance in which poetry shifts as "a form of weather, a form/of following, falling from the form/as it twists." 
410  0$aMountain West Poetry
606   $aGrief$vPoetry
606   $aChange$vPoetry
606   $aBereavement$vPoetry
606   $aAmerican poetry$xWomen authors
615  0$aGrief
615  0$aChange
615  0$aBereavement
615  0$aAmerican poetry$xWomen authors.
676   $a811/.54
700   $aRobinson$b Elizabeth$f1961-$01812411
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910967245603321
996   $aBlue heron$94364823
997   $aUNINA