LEADER 03292oam 2200661I 450 001 9910967093903321 005 20251116192629.0 010 $a1-136-55852-7 010 $a0-415-85059-2 010 $a1-315-01829-2 010 $a1-136-55845-4 024 7 $a10.4324/9781315018294 035 $a(CKB)2550000001117534 035 $a(EBL)1395447 035 $a(OCoLC)870590460 035 $a(SSID)ssj0001168041 035 $a(PQKBManifestationID)11639234 035 $a(PQKBTitleCode)TC0001168041 035 $a(PQKBWorkID)11132645 035 $a(PQKB)10688664 035 $a(MiAaPQ)EBC1395447 035 $a(Au-PeEL)EBL1395447 035 $a(CaPaEBR)ebr10763803 035 $a(CaONFJC)MIL517972 035 $a(OCoLC)861535966 035 $a(OCoLC)864714660 035 $a(FINmELB)ELB137878 035 $a(EXLCZ)992550000001117534 100 $a20180331e20051986 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare's dramatic structures /$fAnthony Brennan 205 $a1st ed. 210 1$aOxon [England] :$cRoutledge,$d2005. 215 $a1 online resource (174 p.) 225 1 $aRoutledge library editions. Shakespeare : critical studies ;$v. 4 225 0$aRoutledge library editions 300 $aFirst published in 1986. 311 08$a0-415-35275-4 311 08$a1-299-86721-9 327 $aCover ; Half-title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Preface; Introduction; Part 1; 1 'Look Where it Comes Again': Pattern and Variation in Shakespeare's Dramas; 2 'Thrice Three Times the Value of This Bond': The Three Trials in The Merchant of Venice; 3 The Journey From 'Wherefore Art Thou Romeo?' to 'Where is My Romeo?': The Structure of Romeo and Juliet; 4 'What's Yet Behind, That's Meet you All Should Know': The Structure of the Final Scene of Measure for Measure; Part 2 327 $a5 'But When They Seldom Come, They Wished-for Come': Interaction and Separation in Shakespeare's Drama6 How to Shoot an Arrow O'er the House to Hurt Your Brother: Methods of Indirection and Separation in Hamlet; 7 'And What's he Then That Says I Play the Villain': Iago, the Strategist of Separation ; Index 330 $aFirst published in 1986.

The focus of this book is the dramatic strategies of scenic repetition and character separation. The author traces the way in which Shakesperare often presents recurring gestures, dramatic interactions, and complex scenic structures at widely separated intervals in a play - thereby providing an internal system of cross-reference for an audience. He also examines the way in which Shakespeare increases the dramatic voltage in central relationships by limiting the access key characters have to each other on stage. These strategies, it is argued, are indelible mar 410 0$aRoutledge library editions. Shakespeare ;$v. 4. 606 $aDrama$xTechnique 615 0$aDrama$xTechnique. 676 $a822.3/3 700 $aBrennan$b Anthony.$0448526 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910967093903321 996 $aShakespeare's dramatic structures$9889855 997 $aUNINA