LEADER 07092oam 2201237 c 450 001 9910966952103321 005 20260102090118.0 010 $a9783838266794 010 $a383826679X 024 3 $a9783838266794 035 $a(CKB)3710000000268460 035 $a(EBL)2145061 035 $a(SSID)ssj0001568962 035 $a(PQKBManifestationID)16219159 035 $a(PQKBTitleCode)TC0001568962 035 $a(PQKBWorkID)14835831 035 $a(PQKB)11531383 035 $a(SSID)ssj0001467639 035 $a(PQKBManifestationID)11891057 035 $a(PQKBTitleCode)TC0001467639 035 $a(PQKBWorkID)11515363 035 $a(PQKB)11687117 035 $a(MiAaPQ)EBC5782700 035 $a(Perlego)773277 035 $a(ibidem)9783838266794 035 $a(EXLCZ)993710000000268460 100 $a20260102d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCritical Reflections on Audience and Narrativity$eNew connections, New perspectives$fBianca Mitu, Silvia Branea, Valentina Marinescu, Daniela Schluetz, Mathieu Pierre, Beate Schneider, Michael Fuchs, Michael Wayne, Inbar Kaminsky, Oliver Kroener, Atene Mendelyte, Raquel Galvez, Enric Zofio, Rodrigo Mesonero, Valentina Marinescu, Marc Perello-Sobrepere, Bianca Mitu, Lilian Moreira, Natasa Bajic, Maria Dicieanu, Nuran Isik, Carmen Arana, Maria Gavilan, Lourdes Gutierrez, Tania Benitez 205 $a1st ed. 210 $aHannover$cibidem$d2014 215 $a1 online resource (245 p.) 300 $aDescription based upon print version of record. 311 08$a9783838206790 311 08$a3838206797 311 08$a9783838206097 311 08$a3838206096 320 $aIncludes bibliographical references. 327 $aDoes the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series? / Daniela Schluetz, Beate Schneider -- Awake, or the multiplication of the realities contemporary television series: narrative structures and audience perception / Mathieu Pierre -- "Three hundred channels and nothing's on": metaleptic genre-mixing in Supernatural / Michael Fuchs -- Appreciating Nietzsche in episodic drama: the highbrow intertextuality and middlebrow reception of Criminal minds / Michael Wayne -- The seed of an idea and its cognitive field: minding the gap of alternate reality in Flash forward and Fringe / Inbar Kaminsky -- Breaking narrative: narrative complexity in contemporary television / Oliver Kroener -- The walking dead and the truly monstrous ... on television / Atene Mendelyte -- Television cosmo-mythologies: the return to mythological narratives in television fiction, from The prisoner to Lost / Raquel Criso?stomo Ga?lvez, Enric Ros Zofi?o -- Breaking bad, a character-based formula / Rodrigo Mesonero -- Representing occupations in media and audience perceptions of TV series / Valentina Marinescu -- Homeland: war on terror revisited / Marc Perello?-Sobrepere -- Understanding health in Grey's Anatomy television series / Bianca Mitu -- Fiction television in Brazil: new perspectives / Lilian Fontes Moreira -- TV series Bolji z?ivot (1987-1991): view from the future / Natasa Simeunovic Bajic -- The X-factor of singing competitions TV series / Maria Dicieanu -- TV drama as a narrative form: scenes from a gendered and a sacralized cultural sphere in Turkish society / Nuran E. Is??k-- The hero's journey / Mari?a Teresa Nicola?s Gavila?n, Lourdes Lo?pez Gutie?rrez, Carmen Silvia Sa?nchez Arana, Tania Alejandra Beni?tez Sa?nchez. 330 $a"Critical Reflections on Audience and Narrativity?New connections, New perspectives" offers an interdisciplinary and multicultural approach to fiction, reality, and narrativity applied to television series from all over the world. Dissecting the almost invisible barrier between fiction and reality in TV series from various perspectives, the chapters cover a wide range of contemporary classics from the post-network age. From "The X-Files" and "Desperate Housewives" to "The Wire" and "Breaking Bad", the chapters sketch TV series` development from the lowest form of mass entertainment to the sophisticated vehicle of highbrow intertextuality on a global scale. Also covering many international cases from Brazil, Serbia, Romania, and Turkey and locating them in the global web of puzzle narratives, the unique contributions draw connections between the most diverse audiences and the way they receive modern storytelling in a culturally globalized world. This timely volume is a great resource for anyone interested in contemporary mass culture. 330 1 $a"The new perspectives offered by this volume are of great interest for any European and International scholar mainly because the volume brings to light new ideas, new methodologies and results that could be further developed. Furthermore it is outstanding that the contributors to this book come from different countries (UK, Germany, Turkey, Bulgaria, Romania) and somehow reach a common language in their studies."-Michael Higgins, University of Strathclyde, UK 606 $areality 606 $aintertextuality 606 $apost-network age 606 $atelevision 606 $aTV 606 $anarrative 606 $aseries 606 $anarrativity 606 $amass culture 606 $amass entertainment 606 $amedia 606 $afiction 606 $aaudience 606 $astorytelling 615 4$areality 615 4$aintertextuality 615 4$apost-network age 615 4$atelevision 615 4$aTV 615 4$anarrative 615 4$aseries 615 4$anarrativity 615 4$amass culture 615 4$amass entertainment 615 4$amedia 615 4$afiction 615 4$aaudience 615 4$astorytelling 676 $a791.45 702 $aMitu$b Bianca$4edt 702 $aBranea$b Silvia$4edt 702 $aMarinescu$b Valentina$4edt 702 $aSchluetz$b Daniela$4ctb 702 $aPierre$b Mathieu$4ctb 702 $aSchneider$b Beate$4ctb 702 $aFuchs$b Michael$4ctb 702 $aWayne$b Michael$4ctb 702 $aKaminsky$b Inbar$4ctb 702 $aKroener$b Oliver$4ctb 702 $aMendelyte$b Atene$4ctb 702 $aGalvez$b Raquel$4ctb 702 $aZofio$b Enric$4ctb 702 $aMesonero$b Rodrigo$4ctb 702 $aMarinescu$b Valentina$4ctb 702 $aPerello-Sobrepere$b Marc$4ctb 702 $aMitu$b Bianca$4ctb 702 $aMoreira$b Lilian$4ctb 702 $aBajic$b Natasa$4ctb 702 $aDicieanu$b Maria$4ctb 702 $aIsik$b Nuran$4ctb 702 $aArana$b Carmen$4ctb 702 $aGavilan$b Maria$4ctb 702 $aGutierrez$b Lourdes$4ctb 702 $aBenitez$b Tania$4ctb 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966952103321 996 $aCritical reflections on audience and narrativity$94014762 997 $aUNINA