LEADER 02139nam 2200517 a 450 001 9910966935103321 005 20200520144314.0 010 $a9781283958943 010 $a1283958945 010 $a9781780427317 010 $a178042731X 035 $a(CKB)2670000000151329 035 $a(EBL)886869 035 $a(OCoLC)777400361 035 $a(MiAaPQ)EBC886869 035 $a(FR-PaCSA)88835801 035 $a(FRCYB88835801)88835801 035 $a(EXLCZ)992670000000151329 100 $a20110606d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aClaude Monet /$fNina Kalitina and Nathalia Brodskaia 210 $aNew York $cParkstone International$d[2011] 215 $a1 online resource (200 p.) 225 1 $aBest of 300 $aDescription based upon print version of record. 311 08$a9781844849024 311 08$a1844849023 320 $aIncludes bibliographical references (p. 196-199) and index. 327 $aThe beginnings of Impressionism -- Claude Monet-the person -- Early life -- Formative years -- From figure painting to landscape painting -- The first Impressionist exhibition -- The Argenteuil period -- From the single painting to the series -- Monet's reception in Russia -- Exhibitions. 330 $aFor Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones." 410 0$aBest of 676 $a759.4 700 $aKalitina$b N. N$g(Nina Nikolaevna)$0597105 701 $aMonet$b Claude$f1840-1926.$0212987 701 $aBrodskaia$b N. V$g(Natalia Valentinovna)$0863734 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966935103321 996 $aClaude Monet$94340953 997 $aUNINA