LEADER 03976nam 2200649Ia 450 001 9910966892603321 005 20251116204231.0 010 $a9798890875594 010 $a9780807862421 010 $a0807862428 035 $a(CKB)1000000000447695 035 $a(OCoLC)56418903 035 $a(CaPaEBR)ebrary10064779 035 $a(SSID)ssj0000248894 035 $a(PQKBManifestationID)11210085 035 $a(PQKBTitleCode)TC0000248894 035 $a(PQKBWorkID)10203147 035 $a(PQKB)11781662 035 $a(Au-PeEL)EBL3039457 035 $a(CaPaEBR)ebr10064779 035 $a(OCoLC)923704251 035 $a(MiAaPQ)EBC3039457 035 $a(Perlego)538197 035 $a(BIP)8569215 035 $a(EXLCZ)991000000000447695 100 $a20030325d2003 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSounds of reform $eprogressivism and music in Chicago, 1873-1935 /$fDerek Vaillant 205 $a1st ed. 210 $aChapel Hill $cUniversity of North Carolina Press$dc2003 215 $a1 online resource (415 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780807854815 311 08$a0807854816 311 08$a9780807828076 311 08$a0807828076 320 $aIncludes bibliographical references (p. [363]-390) and index. 327 $aPreludes of reform : the Chicago Jubilee, Thomas "summer nights" concerts, and the 1893 World's Columbian Exposition -- Battle for the baton : ceremonial parks and the landscape of musical reform, 1869-1904 -- I was improvising right from the start : musical progressivism at Hull House, 1889-1919 -- Come over here and listen to the music : municipal power and local authority in the field house parks, 1903-1919 -- Music of the people is music of the world : the Civic Music Association and the racial challenges of World War I and its aftermath, 1912-1919 -- They whirl off the edges of a decent life : unmasking difference at the dance, 1904-1933 -- Sounds of whiteness : urban musical subcultures, race, and the public interest on Chicago airwaves, 1921-1935 -- Sound Americans : echoes of reform from the 1930s to the present. 330 $aBetween 1873 and 1935, reformers in Chicago used the power of music to unify the diverse peoples of the metropolis. These musical progressives emphasized the capacity of music to transcend differences among various groups. Sounds of Reform looks at the history of efforts to propagate this vision and the resulting encounters between activists and ethnic, immigrant, and working-class residents. Musical progressives sponsored free concerts and music lessons at neighborhood parks and settlement houses, organized music festivals and neighborhood dances, and used the radio waves as part of an unprecedented effort to advance civic engagement. European classical music, ragtime, jazz, and popular American song all figured into the musical progressives' mission. For residents with ideas about music as a tool of self-determination, musical progressivism could be problematic as well as empowering. The resulting struggles and negotiations between reformers and residents transformed the public culture of Chicago. Through his innovative examination of the role of music in the history of progressivism, Derek Vaillant offers a new perspective on the cultural politics of music and American society. 606 $aMusic$xPolitical aspects$zIllinois$zChicago 606 $aProgressivism (United States politics) 607 $aChicago (Ill.)$xPolitics and government$yTo 1950 615 0$aMusic$xPolitical aspects 615 0$aProgressivism (United States politics) 676 $a781.5/99/0977311 700 $aVaillant$b Derek$01115649 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966892603321 996 $aSounds of reform$94470598 997 $aUNINA