LEADER 05755nam 22009375 450 001 9910966619703321 005 20230810131827.0 010 $a9780230234536 010 $a0230234534 024 7 $a10.1057/9780230234536 035 $a(CKB)2550000000001593 035 $a(EBL)2057780 035 $a(OCoLC)319175171 035 $a(SSID)ssj0000517697 035 $a(PQKBManifestationID)12194968 035 $a(PQKBTitleCode)TC0000517697 035 $a(PQKBWorkID)10488168 035 $a(PQKB)10766624 035 $a(SSID)ssj0000495649 035 $a(PQKBManifestationID)11298632 035 $a(PQKBTitleCode)TC0000495649 035 $a(PQKBWorkID)10475262 035 $a(PQKB)11678635 035 $a(DE-He213)978-0-230-23453-6 035 $a(MiAaPQ)EBC2057780 035 $a(Perlego)3502870 035 $a(EXLCZ)992550000000001593 100 $a20151030d2007 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA Counter-History of Crime Fiction $eSupernatural, Gothic, Sensational /$fby Maurizio Ascari 205 $a1st ed. 2007. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2007. 215 $a1 online resource (240 p.) 225 1 $aCrime Files,$x2947-8359 300 $aDescription based upon print version of record. 311 08$a9780230594623 311 08$a023059462X 311 08$a9780230525009 311 08$a0230525008 320 $aIncludes bibliographical references and index. 327 $a""Cover""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""1 Revising the Canon of Crime and Detection""; ""From detective to crime fiction""; ""Blurring the boundaries""; ""A glance at the present""; ""Part I: Supernatural and Gothic""; ""2 Detection before Detection""; ""Dreams and detection""; ""Ghosts, politics and revenge""; ""'Providential fictions'""; ""Crime literature between tragedy and comedy""; ""The Newgate Calendars""; ""Towards the 'professional case'""; ""The aesthetics of murder""; ""3 Persecution and Omniscience""; ""The enlightened ideal of 'secular omniscience'"" 327 $a""The dark side of omniscience""""Preternatural powers""; ""Probability vs chance""; ""Secret societies, the city and the sublime""; ""4 Victorian Ghosts and Revengers""; ""A 'ghost story' of crime and detection""; ""Dreams, dead witnesses and daring women""; ""The return of the revenger""; ""5 Pseudo-Sciences and the Occult""; ""Mesmerism, murder and mystery""; ""Mesmeric villains""; ""The 'other' Doyle""; ""Towards psychic detection""; ""Professionals of the occult""; ""Fabricated apparitions""; ""Part II: Sensational""; ""6 The Language of Auguste Dupin""; ""Narrative metamorphoses"" 327 $a""Citizens of Cosmopolis""""An American and Paris""; ""The strange case of Wilkie Collins and M. Forgues""; ""M. Gaboriau and the 'unknown public'""; ""A metropolitan genesis""; ""7 On the Sensational in Literature""; ""Between romance and journalism""; ""The sensation recipe""; ""Women as sensation writers and readers""; ""Sensationalism, degeneration and modernity""; ""Sensational canons""; ""A prophecy""; ""From amateur to professional detective""; ""Parodies and adaptations""; ""8 London as a 'Heart of Darkness'""; ""Exotic colonies""; ""The explorer""; ""The ethnologist"" 327 $a""The missionary""""The city disease""; ""Before the apocalypse""; ""9 The Rhetoric of Atavism and Degeneration""; ""Lombroso's anarchists and saints""; ""Between genius and madness""; ""The shady apostle of degeneration""; ""Decadent detectives""; ""Conclusion: the Age of Formula Fiction""; ""The Sherlock Holmes 'myth'""; ""Nightmares and orthodoxy""; ""Britain under threat""; ""Towards a conservative view of detection""; ""The role of anthologies""; ""Detection and modernism""; ""Reading in the age of Cultural Studies""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D"" 327 $a""E""""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z"" 330 $aThis book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology. 410 0$aCrime Files,$x2947-8359 606 $aFiction 606 $aLiterature$xPhilosophy 606 $aCulture$xStudy and teaching 606 $aLiterature, Modern$y20th century 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aLiterature, Modern$y19th century 606 $aFiction Literature 606 $aLiterary Theory 606 $aCultural Theory 606 $aTwentieth-Century Literature 606 $aEarly Modern and Renaissance Literature 606 $aNineteenth-Century Literature 615 0$aFiction. 615 0$aLiterature$xPhilosophy. 615 0$aCulture$xStudy and teaching. 615 0$aLiterature, Modern 615 0$aEuropean literature 615 0$aLiterature, Modern 615 14$aFiction Literature. 615 24$aLiterary Theory. 615 24$aCultural Theory. 615 24$aTwentieth-Century Literature. 615 24$aEarly Modern and Renaissance Literature. 615 24$aNineteenth-Century Literature. 676 $a823.087209 700 $aAscari$b Maurizio$4aut$4http://id.loc.gov/vocabulary/relators/aut$0165208 906 $aBOOK 912 $a9910966619703321 996 $aA Counter-History of Crime Fiction$94328575 997 $aUNINA LEADER 03630oam 22006734a 450 001 9910966252803321 005 20240516032234.0 010 $a9781684482238 010 $a1684482232 010 $a9781684482252 010 $a1684482259 024 7 $a10.36019/9781684482252 035 $a(CKB)4100000011319915 035 $a(MiAaPQ)EBC6235437 035 $a(DE-B1597)567042 035 $a(DE-B1597)9781684482252 035 $a(OCoLC)1159982483 035 $a(MdBmJHUP)musev2_83943 035 $a(Perlego)1583756 035 $a(EXLCZ)994100000011319915 100 $a20200928d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBetween Market and Myth$eThe Spanish Artist Novel in the Post-Transition, 1992-2014 /$fKatie J. Vater 205 $a1st ed. 210 1$aLewisburg, Pennsylvania$cBucknell University Press$d[2020] 210 4$d©[2020] 215 $a1 online resource (227 pages) $cillustrations 225 0 $aCampos Ibe?ricos 311 0 $a9781684482214 311 0 $a1684482216 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$t1. The Weight of Fame --$t2. The Postfeminist Turn in the Artist Novel by Women --$t3. The Art Historian as Neoliberal Subject in Lourdes Ortiz?s Las manos de Velázquez and Paloma Díaz-Mas?s El sueńo de Venecia --$t4. Affiliation Anxiety --$tConclusion --$tAcknowledgments --$tNotes --$tBibliography --$tIndex 330 $aIn its early transition to democracy following Franco?s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in ?cultural tourism? as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels?about artists and art historians?have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors?Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas?whose largely realist novels portray a clash between the myth of artistic freedom and artists? willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 606 $aKunst$2gnd 606 $aLiteratur$2gnd 606 $aKünstlerroman$2gnd 606 $aKünstler$gMotiv$2gnd 606 $aKunsthistoriker$2gnd 606 $aSpanisch$2gnd 610 $aCreative economy, Künstlerroman, Artist novel, Cultura de la Transición, Cultural labor, Art-Commerce Relation, novel, post-transition, Francisco Franco, financial crisis. 615 7$aKunst. 615 7$aLiteratur. 615 7$aKünstlerroman. 615 7$aKünstler 615 7$aKunsthistoriker. 615 7$aSpanisch. 676 $a863.6409 676 $a863.6409 700 $aVater$b Katie J$4aut$01812914 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910966252803321 996 $aBetween Market and Myth$94365592 997 $aUNINA