LEADER 04246oam 22005652 450 001 9910966524103321 005 20240513061123.0 010 $a9781000056082 010 $a1000056082 010 $a9780429276439 010 $a0429276435 010 $a9781000056044 010 $a100005604X 035 $a(CKB)4100000011135606 035 $a(MiAaPQ)EBC6181965 035 $a(OCoLC)1133661787 035 $a(OCoLC-P)1133661787 035 $a(FlBoTFG)9780429276439 035 $a(EXLCZ)994100000011135606 100 $a20191210d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMade in Hong Kong $estudies in popular music /$fedited by Anthony Fung and Alice Chik 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2020. 215 $a1 online resource (235 pages) 225 1 $aRoutledge global popular music series 311 08$a9780367226985 311 08$a0367226987 311 08$a9780367226978 311 08$a0367226979 327 $aMachine generated contents note:$gpt. I$tCantopop, History, and Legacy --$g1.$tMapping Sociopolitical and Cultural Changes through "The Daughters of Hong Kong": From Anita Mui to Denise Ho /$rMiranda Ma --$g2.$tOnce upon a Time in Hong Kong Cantopop: 1984 /$rYiu-Wai Chu --$g3.$tPax Musica and Mnets: Cantopop-Kpop Convergences and Inter-Asia Cultural Mobilities /$rMeicheng Sun --$g4.$tVoices Shaped by the People and for the People: Cantopop and Political Crisis from the Colonial to Postcolonial Era /$rIvy Man --$gpt. II$tGenres, Format, and Identity --$g5.$tThe Symbolic Sound of Cantopop: Relistening to "The Fatal Irony" (1974) /$rTing Yiu Wong --$g6.$tRethinking Chineseness in the Cantopop of Sam Hui /$rBrenda Chan --$g7.$tAlternative Music, Language, and "Hong Kong" Identity: The Use of Metaphor in the English Lyrics of Hong Kong Independent Music / $r Lok Ming Eric Cheung --$g8.$tCovers and "One Melody, Two Lyrics" Songs /$rJohnson Leow --$gpt. III$tSignificant Artists --$g9.$tLove Songs from an Island with Blurred Boundaries: Teresa Teng's Anchoring and Wandering in Hong Kong /$rChen-Ching Cheng --$g10.$tRemembering Hong Kong as a Queer Metaphor: Leslie Cheung's Queer Performativity and Posthumous Networked Fandom /$rHong-Chi Shiau --$g11.$tHong Kong is (No Longer) My Home: From Sam Hui to My Little Airport /$rMilan Ismangil --$g12.$tMC Yan and his Cantonese Conscious Rap /$rAngel M. Y. Lin --$gpt. IV $t Contemporary Cantopop --$g13.$tSnapshots of Multilingualism in Hong Kong Popular Music /$rAlice Chik --$g14.$tOur Little Twins Stars: Conglomerate-Catalyzed Cross-Media Stardom in the New Millennium /$rStephanie Ng --$g15.$tPerforming the Political: Reflections on Tatming Meeting George Orwell in 2017 /$rLeonie Schmidt --$g16.$tThe Politicization of Music through Nostalgic Mediation: The Memory in "Boundless Oceans, Vast Skies" /$rAnthony Fung --$tCoda --$g17.$tThe Globo-Regional and the Local in Hong Kong Popular Music /$rC. J. W.-L. Wee. 330 $a"Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format and Identity; Significant Artists; and Contemporary Cantopop"--$cProvided by publisher. 606 $aPopular music$zChina$zHong Kong$xHistory and criticism 606 $aPopular music$xSocial aspects 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xSocial aspects. 676 $a781.63095125 676 $a781.63095125 702 $aFung$b Anthony Y. H. 702 $aChik$b Alice 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910966524103321 996 $aMade in Hong Kong$94323795 997 $aUNINA