LEADER 00793nam0-22002651i-450- 001 990004799970403321 005 19990530 035 $a000479997 035 $aFED01000479997 035 $a(Aleph)000479997FED01 035 $a000479997 100 $a19990530d1928----km-y0itay50------ba 101 0 $aspa 105 $ay-------001yy 200 1 $aMiguel de Unamuno$eNovelista, poeta, ensaysta$ea thesis in romanic languages$fpor M. Romera-Navarro 210 $aMadrid$cSociedad general española de Librería$d1928 215 $a328 p.$d20 cm 700 1$aRomera-Navarro,$bMiguel$0199735 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004799970403321 952 $aP.3 A1(854)$bBibl.s.i.$fFLFBC 959 $aFLFBC 996 $aMiguel de Unamuno$9560766 997 $aUNINA LEADER 00804nam0-22002891i-450- 001 990002206320403321 005 20021010 035 $a000220632 035 $aFED01000220632 035 $a(Aleph)000220632FED01 035 $a000220632 100 $a20021010d--------km-y0itay50------ba 101 0 $aita 200 1 $aLaboratory instructions in biochemistry$fby Israel S. Kleiner and Louis B. Dotti. 210 $aSt. Louis$cC.V. Mosby$d1954. 215 $a285 p.$d27 cm 676 $a 700 1$aKleiner ,$bIsrael S.$090181 702 1$aDotti,$bLouis B. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002206320403321 952 $a80 VIII 16$b1277$fFFABC 959 $aFFABC 996 $aLaboratory instructions in biochemistry$9395941 997 $aUNINA DB $aING01 LEADER 05283oam 2200733 c 450 001 996308778503316 005 20240229080944.0 010 $a3-8394-3793-8 035 $a(CKB)4100000002744004 035 $a(OAPEN)645379 035 $a(DE-B1597)479899 035 $a(OCoLC)1046615640 035 $a(DE-B1597)9783839437933 035 $a(ScCtBLL)b0c35df7-9202-4e8b-8dfe-4bcf789df2a2 035 $a(MiAaPQ)EBC6763086 035 $a(Au-PeEL)EBL6763086 035 $a(OCoLC)1030818293 035 $a(transcript Verlag)9783839437933 035 $a(MiAaPQ)EBC6955947 035 $a(Au-PeEL)EBL6955947 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37617 035 $a(MiAaPQ)EBC30591602 035 $a(Au-PeEL)EBL30591602 035 $a(EXLCZ)994100000002744004 100 $a20220221d2018 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aWriting Emotions$eTheoretical Concepts and Selected Case Studies in Literature$fIngeborg Jandl, Susanne Knaller, Sabine Scho?nfellner, Gudrun Tockner 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2018 215 $a1 online resource 225 0 $aLettre 311 $a3-8376-3793-X 327 $aFrontmatter 1 Contents 5 Preface 9 Emotions and the Process of Writing 17 The Affective Value of Fiction Presenting and Evoking Emotions 29 The Author - "Specialize[d] in Having Fun"? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavari 55 Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James 77 Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions 99 Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner's Novel The Flamethrowers 123 "[] which approximates 'I love you'." Jonathan Safran Foer's Punctuation of Emotions 137 Form and Emotion in Stephen Chbosky's The Perks of Being a Wallflower 159 The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond 175 "'Tis Magic, Magic that Hath Ravished Me" Passionate Conjuring in Doctor Faustus and The Devil's Charter 197 Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama 215 When the Author Is Not the Author of Passions J.J. Engel's Herr Lorenz Stark and the Pathognomy of Style 233 How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe's "The Fall of the House of Usher" 247 Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq's La possibilite? d'une i?le .. 265 Writing Disgust, Writing Realities The Complexity of Negative Emotions in E?mile Zola's Nana 277 Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame 295 Hiding One's Feelings 'Emotionless' Rhetoric in Raul Hilberg's The Destruction of the European Jews and Peter Weiss's Die Ermittlung 311 Love under Threat The Emotional Valences of the Twilight Saga 347 AUTHORS 379 330 $aAfter a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nu?nning, and Gesine Lenore Schiewer. 330 1 $aBesprochen in: literaturkritik.de, 8 (2017), Jan Su?selbeck 410 0$aLettre 606 $aEmotion; Literature; Writing; Practice; Aesthetic; General Literature Studies; British Studies; German Literature; Romance Studies; Literary Studies; 610 $aAesthetic. 610 $aBritish Studies. 610 $aGeneral Literature Studies. 610 $aGerman Literature. 610 $aLiterary Studies. 610 $aLiterature. 610 $aPractice. 610 $aRomance Studies. 610 $aWriting. 615 4$aEmotion; Literature; Writing; Practice; Aesthetic; General Literature Studies; British Studies; German Literature; Romance Studies; Literary Studies; 676 $a809/.93353 700 $aJandl$b Ingeborg$4edt$0913633 702 $aJandl$b Ingeborg$4edt 702 $aKnaller$b Susanne$4edt 702 $aScho?nfellner$b Sabine$4edt 702 $aTockner$b Gudrun$4edt 712 02$aKnowledge Unlatched - KU Select 2017: Frontlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996308778503316 996 $aWriting Emotions$93585701 997 $aUNISA LEADER 03003nam 22007931 450 001 9910966489903321 005 20110518141510.0 010 $a9786612881305 010 $a9780755697465 010 $a0755697464 010 $a9781282881303 010 $a1282881302 010 $a9781441676924 010 $a1441676929 010 $a9780857718037 010 $a0857718037 010 $a9786000042448 010 $a6000042442 024 7 $a10.5040/9780755697465 035 $a(CKB)2670000000047280 035 $a(EBL)676978 035 $a(OCoLC)710975855 035 $a(SSID)ssj0000431501 035 $a(PQKBManifestationID)11264481 035 $a(PQKBTitleCode)TC0000431501 035 $a(PQKBWorkID)10474621 035 $a(PQKB)11139816 035 $a(MiAaPQ)EBC676978 035 $a(OCoLC)671647745 035 $a(UtOrBLW)bpp09265632 035 $a(UtOrBLW)BP9780755697465BC 035 $a(Perlego)918864 035 $a(EXLCZ)992670000000047280 100 $a20200605d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWriting ancient history $ean introduction to classical historiography /$fLuke Pitcher 210 1$aLondon ;$aNew York :$cI.B. Tauris :$cDistributed in the United States and Canada exclusively by Palgrave Macmillan,$d2009. 215 $a1 online resource (288 p.) 225 1 $aLibrary of classical studies ;$vv. 1 300 $aDescription based upon print version of record. 311 08$a9781845119584 311 08$a1845119584 311 08$a9781845119577 311 08$a1845119576 320 $aIncludes bibliographical references (pages 247-269) and index. 327 $aContents; Introduction: Ownage by Clio; 1. Writing About History in the Ancient World; 2. The Natures of History; 3. Using Sources - Part I; 4. Using Sources - Part II; 5. Writing Ancient History; 6. The Ends of History - Part I; 7. The Ends of History - Part II; 8. Texts and Translations: The Transmission of Ancient History; Conclusion; Notes; Suggestions for Further Reading; Bibliography; Index 330 8 $a"Well organised and laid out with attractive features for students, this book covers the subject of writing about ancient history."--Bloomsbury Publishing. 410 0$aLibrary of classical studies ;$vv. 1. 606 $aCivilization, Classical$xHistoriography 606 $aHistory, Ancient$xHistoriography 606 $aAncient history: to c 500 CE$2BIC 607 $aClassical philology 607 $aGreece$xHistoriography 607 $aRome$xHistoriography 615 0$aCivilization, Classical$xHistoriography. 615 0$aHistory, Ancient$xHistoriography 615 7$aAncient history: to c 500 CE. 676 $a937.0072 700 $aPitcher$b Luke$01797632 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910966489903321 996 $aWriting ancient history$94340034 997 $aUNINA