LEADER 05743nam 2200757 a 450 001 9910966482503321 005 20240516190551.0 010 $a9786613776716 010 $a9781281151216 010 $a1281151211 010 $a9789027273864 010 $a9027273863 024 7 $a10.1075/bct.40 035 $a(CKB)2550000000109701 035 $a(EBL)952107 035 $a(OCoLC)798535925 035 $a(SSID)ssj0000693776 035 $a(PQKBManifestationID)12280403 035 $a(PQKBTitleCode)TC0000693776 035 $a(PQKBWorkID)10650358 035 $a(PQKB)10858602 035 $a(Au-PeEL)EBL952107 035 $a(CaPaEBR)ebr10579788 035 $a(CaONFJC)MIL377671 035 $a(MiAaPQ)EBC952107 035 $a(DE-B1597)721135 035 $a(DE-B1597)9789027273864 035 $a(EXLCZ)992550000000109701 100 $a20120328d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTextual choices in discourse $ea view from cognitive linguistics /$fedited by Barbara Dancygier, Jose? Sanders, Lieven Vandelanotte 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJohn Benjamins Pub. Co.$dc2012 215 $a1 online resource (204 p.) 225 1 $aBenjamins current topics,$x1874-0081 ;$vv. 40 300 $a"The selection of papers presented here was originally published in 2010 as a special issue (3.2) of the journal English Text Construction." 311 08$a9789027202598 311 08$a9027202591 320 $aIncludes bibliographical references and index. 327 $aTextual Choices in Discourse; Editorial page; Title page; LCC data; Table of contents; Introductory remarks; Illusions of simplicity; 1. Material problems; 2. Cognitive tools; 3. Cognitive analysis of visual poetry; 3.1 Untitled poem; 3.2 "Water Poem #5"; 4. Cognitive conclusions; 5. Literary connections; Notes; References; Author's address; Alternativity in poetry and drama; 1. Alternativity and negation; 2. Negation and discourse on the stage; 3. Alternativity in poetic discourse; 3.1 Alternative stances; 3.2 Frame evocation and refutation; 3.3 Alternativity and blending 327 $a3.4 Alternativity of or-constructions4. Alternativity and poetic effects; Notes; References; Author's address; Joint attention, To the Lighthouse, and modernist representations of intersubjectivity; 1. Introduction; 2. Joint attention; 3. Two strategies; 4. Thematizing joint attention; 4.1 Joint attention in To the Lighthouse; 4.2 The reader's eye; 4.3 Think of a kitchen table; Notes; References; Author's address; 'Where am I, lurking in what place of vantage?'; 1. Introduction; 2. Dimensions of distance in The Book of Evidence and The Sea 327 $a3. 'What a business it is, the human discourse'. Metalinguistic distance4. 'Demand, did I?' Distancing speech representation; 5. Metafictional distance and acts of name-giving; 6. The situation of discourse in The Book of Evidence; 7. Decompression and distanced perspective; 7.1 Freddie's "inner sergeant": Decompression in The Book of Evidence; 7.2 'Lurking in what place of vantage?' Distanced perspective in The Sea; 8. Conclusion; Notes; Primary data; References; Author's address; Intertwined voices; 1. Theoretical background; 2. Case study; 2.1 Method; 2.2 Results 327 $a3. Close study of sample excerpts across news genres4. Mental spaces of sources and their function; 5. Conclusion and discussion; Notes; References; Author's address; Unrealistic scenarios, metaphorical blends and rhetorical strategies across genres; 1. Introduction; 2. Unrealistic scenarios and rhetorical strategies: Two examples; Example 1: Neural networks and intertwined octopi; Example 2: European Monetary Union and trains with multiple engines; 3. Unrealistic scenarios and metaphorical blends; 3.1 The octopus game as a metaphorical blend, and genre 327 $a3.2 The EMU train as a metaphorical blend, and genre4. Conclusions; Notes; References; Author's address; LIFE IS MUSIC; 1. Introduction; 2. MUSIC IS LIFE; 3. LIFE IS MUSIC; 4. Rhetorical development of the Life and Music blend; 5. Conclusion; Notes; References; Data sources with abbreviations used; Author's address; Two puzzle pieces; 1. Introduction; 2. Blending Theory; 3. Construction Grammar; 3.1 NP is a NP construction; 3.2 It's like NP construction; 4. Discourse context & the constructions; 5. Metaphors & similes in radio news magazine discourse; 6. The radio news magazine genre 327 $a7. Constructions in discourse context 330 $aIn recent years, research in cognitive linguistics has expanded its interests to cover a variety of texts - spoken, written, or multimodal. Analytical tools such as conceptual metaphor, frame semantics, mental spaces and grammatical constructions have been productively applied in various discourse contexts. In this volume, originally published as a special issue of English Text Construction 3:2 (2010), the contributors, a mix of established and emerging authors in the field, analyse broadcast and print journalism, argumentative scientific discourse, radio lectures on music, and the main 410 0$aBenjamins current topics ;$vv. 40. 606 $aDiscourse analysis 606 $aCognitive grammar 615 0$aDiscourse analysis. 615 0$aCognitive grammar. 676 $a401/.41 701 $aDancygier$b Barbara$0164274 701 $aSanders$b Jose?$01802129 701 $aVandelanotte$b Lieven$f1978-$01787416 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966482503321 996 $aTextual choices in discourse$94347682 997 $aUNINA LEADER 02921nim 2200517Ka 450 001 9910149028603321 005 20240912110542.6 010 $a0-06-243675-9 035 $a(CKB)3710000000924322 035 $a(BIP)055917241 035 $a(ODN)ODN0002841900 035 $a(EXLCZ)993710000000924322 100 $a20161104d2016 uy 1 101 0 $aeng 135 $auruna---||||| 181 $cspw$2rdacontent 182 $cs$2rdamedia 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChaos /$fPatricia Cornwell 205 $aUnabridged. 210 $cHarperCollins 215 $a1 online resource (12 audio files) $cdigital 225 0 $aKay Scarpetta,$v24. 311 08$a0-06-266568-5 330 $a#1 New York Times bestselling author Patricia Cornwell returns with the remarkable twenty-fourth thriller in her popular high-stakes series starring medical examiner Dr. Kay Scarpetta. In the quiet of twilight, on an early autumn day, twenty-six-year-old Elisa Vandersteel is killed while riding her bicycle along the Charles River. It appears she was struck by lightning?except the weather is perfectly clear with not a cloud in sight. Dr. Kay Scarpetta, the Cambridge Forensic Center's director and chief, decides at the scene that this is no accidental Act of God. Her investigation becomes complicated when she begins receiving a flurry of bizarre poems from an anonymous cyberbully who calls himself Tailend Charlie. Though subsequent lab results support Scarpetta's conclusions, the threatening messages don't stop. When the tenth poem arrives exactly twenty-four hours after Elisa's death, Scarpetta begins to suspect the harasser is involved, and sounds the alarm to her investigative partner Pete Marino and her husband, FBI analyst Benton Wesley. She also enlists the help of her niece, Lucy. But to Scarpetta's surprise, tracking the slippery Tailend Charlie is nearly impossible, even for someone as brilliant as her niece. Also, Lucy can't explain how this anonymous nemesis could have access to private information. To make matters worse, a venomous media is whipping the public into a frenzy, questioning the seasoned forensics chief's judgment and ""a quack cause of death on a par with spontaneous combustion."" 517 $aChaos 606 $aFiction$2OverDrive 606 $aSuspense$2OverDrive 606 $aThriller$2OverDrive 610 $aWomen Physicians 610 $aForensic Pathologists 610 $aScarpetta, Kay (Fictitious Character) 610 $aFiction 610 $aLiterature And Fiction 615 17$aFiction. 615 7$aSuspense. 615 7$aThriller. 676 $a813/.54 686 $aFIC030000$aFIC031010$aFIC031040$2bisacsh 700 $aCornwell$b Patricia$0457047 702 $aEricksen$b Susan$4oth 906 $aAUDIO 912 $a9910149028603321 996 $aChaos$94288178 997 $aUNINA