LEADER 03975nam 22007214a 450 001 9910966479203321 005 20200520144314.0 010 $a9786612255984 010 $a9780299225339 010 $a029922533X 010 $a9781282255982 010 $a1282255983 024 7 $a2027/heb08795 035 $a(CKB)1000000000723259 035 $a(OCoLC)318249746 035 $a(CaPaEBR)ebrary10280015 035 $a(SSID)ssj0000273648 035 $a(PQKBManifestationID)11247465 035 $a(PQKBTitleCode)TC0000273648 035 $a(PQKBWorkID)10316266 035 $a(PQKB)10242114 035 $a(MdBmJHUP)muse12289 035 $a(Au-PeEL)EBL3444809 035 $a(CaPaEBR)ebr10280015 035 $a(CaONFJC)MIL225598 035 $a(MiAaPQ)EBC3444809 035 $a(dli)HEB08795 035 $a(MiU)MIU01000000000000011661692 035 $a(Perlego)4437487 035 $a(EXLCZ)991000000000723259 100 $a20070323d2007 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWomen's work $emaking dance in Europe before 1800 /$fedited by Lynn Matluck Brooks 205 $a1st ed. 210 $aMadison, Wis. $cUniversity of Wisconsin Press$dc2007 215 $a1 online resource (282 p.) 225 1 $aStudies in dance history 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780299225308 311 08$a0299225305 311 08$a9780299225346 311 08$a0299225348 320 $aIncludes bibliographical references and index. 327 $aThe doubly invisible: Dance in history, women in dance history / Lynn Matluck Brooks -- Isabella and the dancing Este brides, 1473-1514 / Barbara Sparti -- Fabritio Caroso's patronesses / Angene Feves -- At the Queen's command : Henrietta Maria and the development of the English masque / Anne Daye -- The female ballet troupe of the Paris Opera from 1700 to 1725 / Nathalie Lecomte -- Francoise Prevost : the unauthorized biography / Regine Astier -- The shaping of Galatea : who controlled the career of Marie Salle? / Sarah McCleave -- In pursuit of the dancer-actress / Moira Goff -- Elisabeth of Spalbeek : dancing the passion / Karen Silen -- Galanterie and gloire : women's will and the eighteenth-century worldview in Les Indes galantes / Joellen A. Meglin. 330 8 $aLike the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women's roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women's dance worlds intersected with men's, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women's religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women's cultural influence, the writers in this volume explore the meaning of these women's stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past. 410 0$aStudies in dance history (Unnumbered) 606 $aWomen dancers$zEurope$xHistory 606 $aDance$zEurope$xHistory 615 0$aWomen dancers$xHistory. 615 0$aDance$xHistory. 676 $a792.8094 701 $aBrooks$b Lynn Matluck$0858596 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966479203321 996 $aWomen's work$91916670 997 $aUNINA