LEADER 00944nam0-22003011i-450- 001 990005717920403321 005 20070105110910.0 010 $a0248 035 $a000571792 035 $aFED01000571792 035 $a(Aleph)000571792FED01 035 $a000571792 100 $a19990604d1982----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aRecherches stratigraphiques sur l'oppidum de Saint-Blaise$fBernard Bouloumie$gavec une etude de la faune par Ph. Columeau 210 $aBlanc-Mesnil$cSites$dc1982 215 $a195 p.$d30 cm 225 1 $aReuve archèologique Sites, H.S. ;$v15 H. 676 $a930.1$v21$zita 700 1$aBouloumie,$bBernard$0219206 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005717920403321 952 $a930.1 BOU 1$bBIBL. 58412$fFLFBC 959 $aFLFBC 996 $aRecherches stratigraphiques sur l'oppidum de Saint-Blaise$9574006 997 $aUNINA LEADER 03621nam 22006135 450 001 9910966362403321 005 20200424112023.0 010 $a9780226312811 010 $a022631281X 024 7 $a10.7208/9780226312811 035 $a(CKB)3710000000485446 035 $a(EBL)4312093 035 $a(SSID)ssj0001556009 035 $a(PQKBManifestationID)16181074 035 $a(PQKBTitleCode)TC0001556009 035 $a(PQKBWorkID)12587417 035 $a(PQKB)11224170 035 $a(StDuBDS)EDZ0001379794 035 $a(MiAaPQ)EBC4312093 035 $a(DE-B1597)523129 035 $a(OCoLC)923253668 035 $a(DE-B1597)9780226312811 035 $a(Perlego)1853275 035 $a(EXLCZ)993710000000485446 100 $a20200424h20152015 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReading Sounds $eClosed-Captioned Media and Popular Culture /$fSean Zdenek 210 1$aChicago : $cUniversity of Chicago Press, $d[2015] 210 4$d©2015 215 $a1 online resource (357 p.) 300 $aDescription based upon print version of record. 311 08$a9780226312781 311 08$a022631278X 311 08$a9780226312644 311 08$a022631264X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tPreface -- $t1. A Rhetorical View of Captioning -- $t2. Reading and Writing Captions -- $t3. Context and Subjectivity in Sound Effects Captioning -- $t4. Logocentrism -- $t5. Captioned Irony -- $t6. Captioned Silences and Ambient Sounds -- $t7. Cultural Literacy, Sonic Allusions, and Series Awareness -- $t8. In a Manner of Speaking -- $t9. The Future of Closed Captioning -- $tAcknowledgments -- $tBibliography -- $tIndex 330 $aImagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman's muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound-or choose to ignore it-they are applying their own subjective interpretations to otherwise objective noises, creating meaning that does not necessarily exist in the soundtrack or the script. Reading Sounds looks at closed-captioning as a potent source of meaning in rhetorical analysis. Through nine engrossing chapters, Sean Zdenek demonstrates how the choices captioners make affect the way deaf and hard of hearing viewers experience media. He draws on hundreds of real-life examples, as well as interviews with both professional captioners and regular viewers of closed captioning. Zdenek's analysis is an engrossing look at how we make the audible visible, one that proves that better standards for closed captioning create a better entertainment experience for all viewers. 606 $aClosed captioning 606 $aVisual communication 615 0$aClosed captioning. 615 0$aVisual communication. 676 $a302.23 700 $aZdenek$b Sean, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01804748 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910966362403321 996 $aReading Sounds$94352937 997 $aUNINA