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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aLaw and aesthetics /$fAdam Gearey ; general editor, John Gardner
205   $a1st ed.
210  1$aOxford ;$aPortland, Oregon :$cHart Publishing,$d2001.
215   $a1 online resource (151 p.)
225 1 $aLegal theory today
300   $aDescription based upon print version of record.
311 08$a9781841130262 
311 08$a1841130265 
311 08$a9781841132433 
311 08$a1841132438 
320   $aIncludes bibliographical references and index.
327   $a1. Ozymandias -- 2. Lie Dream of a Legal Soul -- 3. The Book of Sand -- 4. The Province of Jurisprudence Deranged -- 5. Interruptions -- 6. The Recording Angel.
330   $a"Law and Aesthetics draws on the work of poets as well as philosophers. Taking as its starting point Shelleys assertion that poets are unacknowledged legislators,the book suggests that there is a way of thinking that, as yet, has not been taken up by those who make use of literary aesthetics to understand law. The book tracks this aesthetic thinking through the failures of critical legal studies and stages an encounter with psychoanalysis, before suggesting that an aesthetics of law can be exhumed from Nietzsches work. The aesthetic is a call to the creative: fashion new law. A review of contemporary legal theory that makes use of aesthetic perspectives suggests that dissident and radical Nietzschean energies continue to animate legal thought. In the final chapter, an aesthetics of law is shown to make for an interruption of legal categories, and the generation of new legal relationships. The book concludes with a further meditation on Shelleys poetry, and a call to continue in the spirit of aesthetic reinvention."--Bloomsbury Publishing.
410  0$aLegal theory today.
606   $aLaw and aesthetics
606   $2Jurisprudence & philosophy of law
615  0$aLaw and aesthetics.
676   $a340.1
700   $aGearey$b Adam$0599156
702   $aGardner$b John$f1965-
801  0$bUtOrBLW
801  1$bUtOrBLW
906   $aBOOK
912   $a9910966328203321
996   $aLaw and aesthetics$94341741
997   $aUNINA