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100   $a20180706d2002      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aFrom tejano to tango $eLatin American popular music /$fedited by Walter Aaron Clark
205   $a1st ed.
210   $aNew York $cRoutledge$d2002
210  1$aNew York :$cRoutledge,$d2002.
215   $a1 online resource (x, 286 p. )$cill
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a0-8153-3639-X (OCoLC)47689767 
311 08$a0-8153-3640-3 
320   $aIncludes bibliographical references and index.
327   $aPolitics and identity, Argentina and Nicaragua -- Locality and interlocality, North America and Cuba -- Globalization and mass mediation, Brazil and Peru.
330   $aAuthor of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed.
606   $aPopular music$zLatin America$xHistory and criticism
615  0$aPopular music$xHistory and criticism.
676   $a781.64/098
701   $aClark$b Walter Aaron$0930876
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910966226703321
996   $aFrom tejano to tango$94483820
997   $aUNINA