LEADER 02310nam 2200589 a 450 001 9910966046903321 005 20251116233814.0 010 $a0-19-161991-4 010 $a0-19-968798-6 010 $a1-283-42261-1 010 $a9786613422613 010 $a0-19-161709-1 035 $a(CKB)2560000000296060 035 $a(EBL)3054425 035 $a(OCoLC)772499864 035 $a(SSID)ssj0000622108 035 $a(PQKBManifestationID)11440827 035 $a(PQKBTitleCode)TC0000622108 035 $a(PQKBWorkID)10639097 035 $a(PQKB)10927237 035 $a(StDuBDS)EDZ0000084547 035 $a(MiAaPQ)EBC3054425 035 $a(MiAaPQ)EBC7036745 035 $a(Au-PeEL)EBL7036745 035 $a(EXLCZ)992560000000296060 100 $a20120117d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWordsworth's revisitings /$fby Stephen Gill 210 $aOxford $cOxford University Press$d2011 215 $a1 online resource (280 p.) 300 $aDescription based upon print version of record. 311 08$a0-19-926877-0 311 08$a0-19-173083-1 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Abbreviations; List of Illustrations; Introduction; 1. Second Thoughts; 2. The Ruined Cottage Revisited; 3. The Prelude: 1804-1820; 4. The Prelude: 1820-1850; 5. Where Once We Stood Rejoicing; 6. On Sarum's Plain; Appendix; Notes; Select Bibliography; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y 330 8 $aNothing was more important to Wordsworth than tracing the evidence that affinities had been preserved between all the stages of the life of man. Stephen Gill explores the ways in which the poet attempted as an artist to maintain such continuities and shows how revisitings of various kinds are at the heart of his creativity. 606 $aRomanticism$y18th century 615 0$aRomanticism 676 $a821.7 700 $aGill$b Stephen$0123214 701 $aWordsworth$b William$f1770-1850.$0163540 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966046903321 996 $aWordsworth's revisitings$94463078 997 $aUNINA