LEADER 03308nam 2200601Ia 450 001 9910966005003321 005 20251117084727.0 010 $a9786613251091 010 $a1-283-25109-4 010 $a0-252-09129-9 035 $a(CKB)2670000000241168 035 $a(EBL)3414039 035 $a(SSID)ssj0000543269 035 $a(PQKBManifestationID)11352924 035 $a(PQKBTitleCode)TC0000543269 035 $a(PQKBWorkID)10519552 035 $a(PQKB)10568226 035 $a(OCoLC)811409153 035 $a(MdBmJHUP)muse23840 035 $a(Au-PeEL)EBL3414039 035 $a(CaPaEBR)ebr10593711 035 $a(CaONFJC)MIL325109 035 $a(OCoLC)923495096 035 $a(MiAaPQ)EBC3414039 035 $a(BIP)13143842 035 $a(EXLCZ)992670000000241168 100 $a20051201d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCitizen Spielberg /$fLester D. Friedman 205 $a1st ed. 210 $aUrbana $cUniversity of Illinois Press$dc2006 215 $a1 online resource (377 p.) 300 $aDescription based upon print version of record. 311 08$a0-252-03114-8 311 08$a0-252-07358-4 320 $aIncludes bibliographical references, filmography, and index. 327 $aThe elephant in the center of the room -- "I'm sorry I didn't tell you about the world": Spielberg's science-fiction and fantasy films -- "They don't know what they've got there": Spielberg's action/adventure melodramas -- "Objects in the mirror are closer than they appear": Spielberg's monster movies -- "The world has taken a turn for the surreal": Spielberg's World War II combat films -- "Whoever tells the best story wins": Spielberg's social problem/ethnic minority films -- "Control is power": imagining the Holocaust. 330 $aSteven Spielberg is the director or producer of over one third of the thirty highest grossing films of all time, yet most film scholars dismiss him as little more than a modern P. T. Barnum--a technically gifted and intellectually shallow showman who substitutes spectacle for substance. To date, no book has attempted to analyze the components of his worldview, the issues which animate his most significant works, the roots of his immense acceptance, and the influence his vast spectrum of imaginative products exerts on the public consciousness. In Citizen Spielberg, Lester D. Friedman fills that void with a systematic analysis of the various genres in which the director has worked, including science fiction (E.T.), adventure (Raiders trilogy), race films (The Color Purple, Amistad), and war films (Saving Private Ryan, Schindler's List). Friedman concludes that Spielberg's films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist. 606 $aMotion pictures$xMoral and ethical aspects 615 0$aMotion pictures$xMoral and ethical aspects. 676 $a791.4302/33092 700 $aFriedman$b Lester D$0992647 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966005003321 996 $aCitizen Spielberg$93917578 997 $aUNINA